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Rosalind Krauss - Photographys Discursive Spaces
- https://www.studymode.com/essays/Rosalind-Krauss-Photographys-Discursive-Spaces-1078150.html
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Photography's Discursive Spaces: Landscape/View
- https://eportfolios.macaulay.cuny.edu/lklichfall13t/files/2013/09/Krauss.pdf
- Photography 's Discursive Spaces: Landscape/View By Rosalind Krauss et us start with two images, identically titled Tufa Domes, Pyramid Lake, Nevada. The first (Fig. 1) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century land- scape photography.
Rosalind Krauss - Photographys Discursive Spaces - 9350 Words
- https://www.bartleby.com/essay/Rosalind-Krauss-Photographys-Discursive-Spaces-F3XCNYE3RYZS
- In Chapter Thirteen, Photography’s discursive space, contributed by Rosalind Krauss, analyzes perception of photography and the attempt to transform revelation from one perceptional context to …
Photography's Discursive Spaces: Landscape/View.
- https://monoskop.org/images/6/6b/Krauss_Rosalind_1982_Photographys_Discursive_Spaces_Landscape_View.pdf
- arate discursive spaces, as members of two different discourses. The lithograph be- longs to the discourse of geology and, thus, of empirical science. In order for it to function within this discourse, the ordinary elements of topographical description had to be restored to the image produced by By Rosalind Krauss
Photography's Discursive Spaces: Landscape/View.
- http://www.imagineallthepeople.info/Krauss_PhotographysDiscursiveSpaces.pdf
- By Rosalind Krauss et us start with two images, identically titled Tufa Domes, Pyramid Lake, Nevada. The first (Fig. I) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art histoncal construction of nineteenth-century land- scape photography. The second (Fig. 2) is
Visual Culture and Critical Theory: Rosalind Krauss - Tumblr
- https://visualcultureandcriticaltheory.tumblr.com/post/120440096/rosalind-krauss
- Rosalind Krauss discusses two images in Photography’s Discursive Spaces. The images are both of the Tufa Domes, at Pyramid Lake, Nevada, but are slightly different representations. One is a photograph applauded for its model of the mysterious, and silent beauty. The other is a lithographic copy of the first and is criticized for being devoid of …
Photography's Discursive Space - 423 Words | Bartleby
- https://www.bartleby.com/essay/Photographys-Discursive-Space-PCXZQBW8VWM
- The definitional meaning in any form of art is dependent on the receiver, and their own perceptions. In Chapter Thirteen, Photography’s discursive space, contributed by Rosalind Krauss, analyzes perception of photography and the attempt to transform revelation from one perceptional context to another. For example, an illustration of a mountain may represent …
Photography's Discursive Spaces: Landscape/View
- https://www.researchgate.net/publication/269494081_Photography's_Discursive_Spaces_LandscapeView
- For outstanding examples of this approach, see Rosalind Krauss, " Photography's Discursive Spaces: Landscape/View " , Art Journal 42 (Winter 1982): 311–19; Elizabeth Hutchinson, " …
Part 1 Exercise 1.2 Photography in the museum or in the gallery ...
- https://leonardscottlandscape.com/2018/02/15/part-1-exercise-1-2-photography-in-the-museum-or-in-the-gallery-reflections-on-photographys-discursive-spaces-landscape-view-by-rosalind-krauss/
- Krauss points out that there is always a requirement for discourse on discursive spaces in photography, due to the need for different subject matter and where these images are presented and the differing aspects to the display of a single image in of their diverse forms, dependent on the type of display and audience.
Photography's Discursive Spaces: Landscape/View
- https://www.tandfonline.com/doi/abs/10.1080/00043249.1982.10792816
- The first (Fig. 1) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century landscape photography. The second (Fig. 2) is a lithographic copy of the first, produced for the publication of Clarence King's Systematic Geology in 1878.
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