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Peter Henry Emerson (The J. Paul Getty Museum …
- https://www.getty.edu/art/collection/person/103KFS
- Peter Henry Emerson (British, 1856 - 1936) The J. Paul Getty Museum in Los Angeles ... Emerson's influential 1889 book Naturalistic Photography for Students of the Art outlined his thesis that photography's ability to record nature truthfully was its most expressive one. He argued that the photograph should imitate nature rather than alter it.
Peter Henry Emerson and American Naturalistic …
- https://www.amazon.com/Peter-Emerson-American-Naturalistic-Photography/dp/0912964987
- Peter Henry Emerson (1856-1936) was a leading English photographer who spearheaded a style he termed "naturalistic photography." He argued for photography as a fine art, encouraged his colleagues to use nature as their standard, and introduced the theory of "differential focusing," whereby the main subject was in focus and everything else fell into moderate softness.
Naturalistic Photography For Students Of The Art (1889): …
- https://www.amazon.com/Naturalistic-Photography-Students-Peter-Emerson/dp/116435275X
- Naturalistic Photography For Students Of The Art (1889) Hardcover – September 10, 2010 by Peter H. Emerson (Author) 3.6 out of 5 stars 5 ratings
PETER HENRY EMERSON AND AMERICAN …
- https://new.artsmia.org/press/peter-henry-emerson-and-american-naturalistic-photography/
- A physician and a scientist, he took up photography at age 26. He formulated naturalistic photography in 1889 when he published his groundbreaking book, Naturalistic Photography for the Students of the Art. In it, Emerson defined a new style of camera work and made a case for photography as a fine art.
Naturalistic Photography | work by Emerson | Britannica
- https://www.britannica.com/topic/Naturalistic-Photography
- Other articles where Naturalistic Photography is discussed: Peter Henry Emerson: In his handbook Naturalistic Photography (1889), he outlined a system of aesthetics. He decreed that a photograph should be direct and simple and show real people in their own environment, not costumed models posed before fake backdrops or other such predetermined formulas.
Peter Henry Emerson | British photographer | Britannica
- https://www.britannica.com/biography/Peter-Henry-Emerson
- Peter Henry Emerson, (born May 13, 1856, Cuba—died May 12, 1936, Falmouth, Cornwall, England), English photographer who promoted photography as an independent art form and created an aesthetic theory called “naturalistic photography.” Trained as a physician, Emerson first began to photograph as a part of an anthropological study of the peasants and …
Peter Henry Emerson | International Photography Hall of …
- https://iphf.org/inductees/peter-henry-emerson/
- What was natural, or what tones were possible? Later, in January 1891, Emerson wrote a pamphlet declaring “The Death of Naturalistic Photography.” Regardless of the controversy, he emerged as an important figure in pictorial photography. Peter Henry Emerson’s influence is seen today in classical art expressed by the medium of photography.
Peter Henry Emerson | Master Photographer | On …
- https://www.onlandscape.co.uk/2020/09/peter-henry-emerson/
- In 1889 Peter Henry Emerson (1856-1936) ... 1 P H Emerson, 1890, Naturalistic Photography for Students of the Art, 2nd Edition, E&F Spon, New York; 2 His first book, published in 1885, was called Life and Landscape on the Norfolk Broads and included 40 platinum prints. Many of his other books and prints were focused on East Anglia subjects.
Naturalistic Photography | Nature
- https://www.nature.com/articles/041366b0
- Naturalistic Photography. By P. H. Emerson (London: Sampson Low, Marston, Searle, and Rivington, 1890.) ... say there is not a better or more instructive book on the art principles of …
Peter Henry Emerson (1856-1936) | Art History Unstuffed
- https://arthistoryunstuffed.com/peter-henry-emerson-1856-1936/
- According to photo-historian Helmut Gernsheim in his book, Creative Photography: Aesthetic Trends, 1839-1960, Davison, a follower of Peter Henry Emerson (1856-1936) wanted to soften the focus and to create an effect more akin to the beauty of a fine art print than that of a machine made image. The Times praised the photograph for its ...
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