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Henri Cartier-Bresson Influence On Photography

Interested in photography? At kaitphotography.com.au you will find all the information about Henri Cartier-Bresson Influence On Photography and much more about photography.


Henri Cartier-Bresson's influence | Lynn York - Blog

    https://www.lynnyorkartist.com/blog/150404/henri-cartier-bressons-influence#:~:text=Henri%20Cartier-Bresson%20%281908-2004%29%20is%20a%20legend%20in%20black,a%20street%20photographer%2C%20influenced%20photography%20as%20a%20whole.
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Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/cartier-bresson-henri/
    This photograph, shot during a trip to Mexico in 1934, exemplifies the heavy influence of Surrealism on Cartier-Bresson's work, an influence that endured, resurfacing at times as late as the 1960s. In the late 1920s, the young artist had spent time at the cafés on the Place Blanche in the bohemian area of Montmartre in Paris.

On Photography: Henri Cartier-Bresson, 1908-2004 - Photofocus

    https://photofocus.com/inspiration/on-photography-henri-cartier-bresson-1908-2004/
    Henri Cartier-Bresson is known for understanding and capturing photographs that show the “decisive moment.” Cartier-Bresson’s creative life started as many of his era did, with painting. He had finished a year in Ivory Coast when he discovered the Leica camera. The Leica full-frame 35mm became his camera of choice.

Henri Cartier-Bresson and the Value of Photography

    https://www.tcs.cam.ac.uk/henri-cartier-bresson-and-the-value-of-photography/
    Cartier-Bresson would agree. When asked about his experience in China, he analogised viewing his photographs to being like wine tasting, where people should look at photos and interpret them based on their personal feelings, rather than being guided by what they think the photographer’s intentions are.

Henri Cartier-Bresson | International Photography Hall of …

    https://iphf.org/inductees/henri-cartier-bresson/
    Cartier-Bresson had remained true to the surrealist thought until 1947, then influenced by Robert Capa, Cartier-Bresson changed his overall vision and approach to photojournalism. This was not such a dramatic departure from the first 15 years of photographic work, which had been documenting moments in everyday life.

Henri Cartier-Bresson's influence | Lynn York - Blog

    https://www.lynnyorkartist.com/blog/150404/henri-cartier-bressons-influence
    Henri Cartier-Bresson (1908-2004) is a legend in black and white photography. His ability to create such powerful images as a street photographer, influenced photography as a …

Henri Cartier-Bresson Photos and His Legacy, History of …

    https://mymodernmet.com/henri-cartier-bresson/
    Cartier-Bresson was instead swept up in the Surrealist movement, inspired by the different schools of photography that were popping up around Europe in the 1920s. After studying art and literature at the University of Cambridge, this legend would receive his first camera in 1929 during a stint in the French Army.

Henri Cartier-Bresson — about photography blog

    https://aboutphotography.blog/photographer/henri-cartier-bresson
    Henri Cartier-Bresson, 1908 - 2004. There is probably not a single photographer with a greater influence on modern photojournalism than Henri Cartier-Bresson. Born in France in 1908 he was supposed to work in a textile business but at the age of 19 decided to become a painter and later a photographer. As a kid he started with Brownei and later ...

Henri Cartier-Bresson (1908–2004) | Essay | The …

    https://www.metmuseum.org/toah/hd/cabr/hd_cabr.htm
    In his 1952 landmark monograph The Decisive Moment, he defined his philosophy: “To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which gave that event its proper expression.” Cartier-Bresson was drafted into the French army in 1940.

Why Henri Cartier-Bresson Remains One of …

    https://www.asmp.org/asmp-legends/why-henri-cartier-bresson-remains-one-of-photographys-most-important-figures/
    Cross-posted from Artsy. [By Jacqui Palumbo] “In the early 1930s, Cartier-Bresson encountered Three Boys at Lake Tanganyika (1929) by Martin Munkácsi: an image of three young children, nearly silhouetted, running into the crashing waves.‘It is that very photograph which was for me the spark that set fire to the fireworks and made me suddenly realize that photography …

Cartier-Bresson's Impact On Photojournalism | NPPA

    https://nppa.org/news/236
    Beginning in the early 1930s with a series of photographs remarkable for their revelatory content and pristine composition, Cartier-Bresson showed the world the Leica's potential to achieve spontaneity. That remains his greatest legacy to photography's trajectory.

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