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Gerhard Richter’s Use of Photography to Challenge Our Understanding …
- https://www.ijac.org.uk/images/frontImages/gallery/Vol._2_No._10/8.pdf#:~:text=Painting%20and%20photography%20are%20both%20important%20to%20him,as%20the%20unmanageable%2C%20the%20illogical%2C%20the%20meaningless%E2%80%9D%20%281993.%3A35%29.
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A Relationship Between Gerhard Richter Painting And Photography
- https://blouin-artinfo.blogspot.com/2018/05/a-relationship-between-gerhard-richter.html
- A Relationship Between Gerhard Richter Painting And Photography Gerhard Richter is understood for the variety of his approaches to painting. His observe will appear to be structured by numerous oppositions, with paintings when pictures countering abstract pictures; ancient still-lifes aboard extremely charged subjects; monochrome gray works and motley grids.
Gerhard Richter Paintings, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/richter-gerhard/
- Richter has maintained a lifelong fascination for the power of images and painting's long, uneasy relationship with photography: while either medium may claim to reflect or express reality truthfully, either ultimately suggests only a partial, or incomplete view of a subject.
Blur: Gerhard Richter and the photographic in painting
- https://www.researchgate.net/publication/43495525_Blur_Gerhard_Richter_and_the_photographic_in_painting
- German artist Gerhard Richter claims to paint photographs. His realist figurative works, called photopaintings, make extensive use of the blurred appearance of …
Gerhard Richter: an art journey - 1605 Publishers
- https://www.1605publishers.com/blogs/magazine/gerhard-richter-art-journey
- Throughout his career, Richter has been working across two mediums: photography and painting. Being captivated by these two opposed visual arts, he made copies of black-and-white photographs, smearing the paint to emphasise the change of medium. In his eyes, photography and painting were not rivals but practices that speak and challenge each other.
Gerhard Richter - The Eye of Photography Magazine
- https://loeildelaphotographie.com/en/gerhard-richter-photo-paintings/
- Gerhard Richter appeared on the European scene in the early 1960s with works inspired directly from photographs, which he called “photo-paintings”. He immediately became established as an alternative to American Pop Art and European informal art, defending a new vision of painting.
Gerhard Richter: Overpainted Photographs - Artlyst
- https://www.artlyst.com/whats-on-archive/gerhard-richter-overpainted-photographs/
- Throughout his long and eminent career, Gerhard Richter has expanded the potential of image making through a dialogue between old and new media. He began painting over photographs in the mid-1980s, at the very moment when New York Neo-Conceptual artists were engaging with questions of image appropriation and reproduction, and the German Neo-Expressionists were …
Gerhard Richter | IMAGE OBJECT TEXT
- https://imageobjecttext.com/tag/gerhard-richter/
- Gerhard Richter, Detail (Red-blue), 1970. The relationship between painting and photography lies at the heart of Gerhard Richter’s practice, from paintings made from found photographs to photographs of paintings made from, yes, photographs, this is territory Richter has explored more thoroughly and from more directions than perhaps any other artist.
Gerhard Richter’s Use of Photography to Challenge …
- https://www.ijac.org.uk/images/frontImages/gallery/Vol._2_No._10/8.pdf
- Painting and photography are both important to him because they help us understand our epistemological confines. For Richter: “A picture represents itself as the unmanageable, the illogical, the meaningless” (1993.:35). Here he sounds quite similar to Baudrillard’s notion that the task of thought is to seek unintelligible and
Gerhard Richter - Art - Trebuchet
- https://www.trebuchet-magazine.com/evanescent-imagery-precarity-and-persistence-in-gerhard-richters-paintings/
- What else is there for Gerhard Richter to say? pon seeing the earliest daguerreotypes around 1840, the French painter Paul Delaroche reportedly announced: “From today, painting is dead.”. Whether or not this melodramatic statement is based on truth, the ‘life or death’ struggle between painting and photography provided a lasting ...
Blurred visionary: Gerhard Richter's photo-paintings - the …
- https://www.theguardian.com/artanddesign/2011/sep/22/gerhard-richter-tate-retrospective-panorama
- 14. I n 2003, Gerhard Richter made several paintings with the same title: Silicate. Large oil-on-canvas pieces, these show latticed rows of light- and dark-grey blobs whose shapes quasi-repeat as ...
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