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Witness Photographs Of Lynchings From The Collection Of James Allen

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Witness: Photographs of Lynchings from the Collection of James …

    https://andrewroth.com/exhibitions/Witness-Photographs-of-Lynchings-from-the-Collection-of-James-Allen
    Witness: Photographs of Lynchings from the Collection of James Allen and John Littlefield January 13 –February 12, 2000 Andrew Roth announces the opening...

On Looking: Lynching Photographs and Legacies of Lynching …

    https://www.jstor.org/stable/30041984
    century to electrifying effect. About sixty mostly small-size lynching photographs on postcard stock were first shown in the exhibition Witness at the Roth Horowitz Gallery in Manhattan in January 2000. They were taken from the collection of James Allen and John Littlefield, representing lynchings that took place between 1880 and 1960, and

The Horrors of Lynching Photographs and Postcards - Word In Black

    https://wordinblack.com/2022/01/the-horrors-of-lynching-photographs-and-postcards/
    The lynching photographs often captured the bodies of the murdered Black Americans and the hundreds of white people — including children — who gathered to witness the public spectacle of lynchings. According to historians, in more than half of these photos and postcards, white people were shown smiling and celebrating the spectacles.

Pictures From an Execution - Nymag

    https://nymag.com/nymetro/arts/features/1828/
    In the age of “Sensation,” that’s an unusual sentiment from a gallery owner, but “Witness: Photographs of Lynchings From the Collection of James Allen” is an unusually disturbing exhibit.

James Allen (collector) - Wikipedia

    https://en.wikipedia.org/wiki/James_Allen_(collector)
    American antique collector (born 1954) James Allen (born June 16, 1954) is an American antique collector, known in particular for his collection of 145 photographs of lynchings in America, published in 2000 with Congressman John Lewis as Without Sanctuary: Lynching Photography in America. The collection includes images of the lynching in 1911 of Laura and Lawrence …

Persons Unknown: lynching Photographs in the Museum

    https://www.taylorfrancis.com/chapters/edit/10.4324/9781315723778-14/persons-unknown-lynching-photographs-museum-rm-wolff
    ABSTRACT. In January of 2000, James Allen opened the exhibition Witness: Photographs of Lynchings from the Collection of James Allen at the Roth Horowitz Gallery on Manhattan’s Upper East Side. In partnership with John Littlefield, Allen spent years collecting and preserving lynching photographs and postcards before presenting a portion of them with an accompanying …

Without Sanctuary: Lynching Photography in America

    https://www.withoutsanctuary.org/
    Without Sanctuary. Without Sanctuary. Searching through America's past for the last 25 years, collector James Allen uncovered an extraordinary visual legacy: photographs and postcards taken as souvenirs at lynchings throughout America. With essays by Hilton Als, Leon Litwack, Congressman John Lewis and James Allen, these photographs have been published as a book …

“Without Sanctuary: Lynching Photography in America.”

    https://academic.oup.com/jah/article/89/3/989/832605
    Four somewhat different exhibitions (listed below) have presented photographs from the collection, which is on loan to Emory University. The owners of the colle

Introduction - content.ucpress.edu

    https://content.ucpress.edu/chapters/10777.intro.pdf
    Called Witness: Photographs of Lynchings from the Collection of James Allen, it assembled and displayed some sixty photographs that Allen, an antiques dealer from Atlanta, had col-lected over the course of fifteen years. Discovered by Allen in family albums, attic trunks, and flea markets, the photographs showed the victims and occa-

Lynching of Laura and L. D. Nelson - Wikipedia

    https://en.wikipedia.org/wiki/Lynching_of_Laura_and_L._D._Nelson
    The book accompanied an exhibition of 60 lynching postcards from 1880 to 1960, Witness: Photographs of Lynchings from the Collection of James Allen, which opened at the Roth Horowitz Gallery in New York in January 2000. Allen argued that lynching photographers were more than passive spectators.

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