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The f/8 Rule for Street Photographers on the Move. Let’s Take a L…
- https://www.lightstalking.com/the-f8-rule-for-street-photographers/#:~:text=So%20why%20is%20f%2F8%20the%20place%20to%20be,for%20street%20photographers%20ensures%20everything%20is%20in%20focus.
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Follow the f/8 Rule to Shoot Excellent Street Photos on …
- https://lifehacker.com/follow-the-f-8-rule-to-shoot-excellent-street-photos-on-1790907457
- Your camera’s aperture controls how much light it lets in and it’s size is measured in f-stops. The wider the aperture, the more light it allows in …
Why do we use smaller apertures, such as f8, for …
- https://photo.stackexchange.com/questions/117472/why-do-we-use-smaller-apertures-such-as-f8-for-landscape-photography
- In photography, it seems universally agreed that you should shoot at f8 to f11—basically an aperture before light diffraction comes into play. I've …
The f/8 Rule for Street Photographers on the Move. Let’s …
- https://www.lightstalking.com/the-f8-rule-for-street-photographers/
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Why do photographers use smaller apertures, such as F8, …
- https://www.quora.com/Why-do-photographers-use-smaller-apertures-such-as-F8-for-landscape-photography
- A lot of landscape photography is taken at f/13 or more. F/8 is usually a good compromise between an acceptable depth of field, and a fast enough shutterspeed for handheld shooting in middling light. As aperture decreases, depth of field increases. If you have a small aperture, you get more of the image in focus.
f/8 And Be There | Expert photography blogs, tip, …
- https://www.adorama.com/alc/f-8-and-be-there/
- “f/8 and Be There” is a very simple statement that addresses two very important aspects of documentary photography. The first is technical, the second a bit more philosophical. Let’s start with the technical aspect. f/8. Most documentary photography is done on 35mm based systems using a 35mm lens.
f/8 and Be There: A Beginner’s Guide to Zone Focusing
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/f8-and-be-there-beginner%E2%80%99s-guide-zone-focusing
- Now, if you take a look at f/8 on the scale, you’ll see that we have a focus zone ranging from 8 feet to infinity. As you can imagine, it’s far easier to get a decent-looking candid street photo with this setting than it would be using our previous setting, which only had a 3-foot zone of acceptable focus.
What is the meaning of the expression "f8 and be there" in …
- https://www.quora.com/What-is-the-meaning-of-the-expression-f8-and-be-there-in-photography
- “f/8 and be there” is an old street (journalistic) photography adage. Capturing the “decisive moment” is very important in this style of photography and so you have “be there” to be able to do that. f/8 just refers to a convenient aperture that will let you keep most of the things in focus so that you get a reasonable shot in any situation.
Studio why F8: Studio and Lighting Technique Forum: …
- https://www.dpreview.com/forums/thread/1766982
- The other reason is that most lenses have a sweetspot for sharpness. If a lens can shoot at f2.8 it is usually much sharper at f4 on up. So for a lens that can be dialed down to f4 the sweetspot would be at around f5.6 or f8 or higher. Antonio Cotto wrote: The main reason why I use f/5.6 to f/8 is because I shoot with a
What is F-Stop, How it Works and How to Use it in …
- https://photographylife.com/f-stop
- So, f/8 is the larger aperture. If someone tells you to use a large aperture, they’re recommending an f-stop like f/1.4, f/2, or f/2.8. If someone tells you to use a small aperture, they’re recommending an f-stop like f/8, f/11, or f/16. See the below diagram that shows different sizes of aperture to understand:
Why f8 is sharper than f2.8 - Digital Photography Review
- https://www.dpreview.com/forums/thread/2110907
- F stop plays a major role in DOF Depth Of Field. Small F stop numbers like F2.0 will have less depth of field then F8.0 on a given lens at the same Focal length and focusing distance. As for sharpness to get a good Idea of a lens capabilities you need to learn how to interrupt the MTF chart of a lens.
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