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Roger Fenton, The Father Of War Photography - Better ...
- http://www.betterphotography.in/perspectives/great-masters/roger-fenton/6631/#:~:text=He%20was%20forced%20to%20give%20up%20photography%20in,would%20not%20be%20tempted%20to%20start%20shooting%20again.
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Roger Fenton | British photographer | Britannica
- https://www.britannica.com/biography/Roger-Fenton
- Roger Fenton, (born 1819, Heywood, near Rochdale, Lancashire, England—died August 8, 1869, London), English photographer best known for his pictures of the Crimean War, which were the first extensive photographic documents of a war. Fenton studied painting and then law. Following a trip in 1851 to Paris, where he probably visited with the photographer Gustave Le Gray, he …
Roger Fenton (1819–1869) | Essay | The Metropolitan …
- https://www.metmuseum.org/toah/hd/rfen/hd_rfen.htm
- Roger Fenton is a towering figure in the history of photography, the most celebrated and influential photographer in England during the medium’s “golden age” of the 1850s. Before taking up the camera, he studied law in London and painting in Paris.
Roger Fenton, the very first war photographer, captured the grim ...
- https://www.thevintagenews.com/2018/03/22/roger-fenton/
- Because of this disadvantage, Fenton was limited as to what he could photograph. He could not take action shots, as the subject had to remain still for the duration of the exposure, and Fenton did not believe in taking pictures of dead bodies. He therefore concentrated on posed shots and on landscapes.
Roger Fenton | International Photography Hall of Fame
- https://iphf.org/inductees/roger-fenton/
- Though best known for his photographs of the Crimean War, Roger Fenton was one of the most accomplished landscape and architectural photographers of his time. "The valley of the shadow of death" Crimean War photograph. Dirt road in ravine scattered with cannonballs. 1855. Fenton was born into an affluent family near Manchester, England, in 1819 ...
Roger Fenton: the First Great War Photographer - Lens
- https://lens.blogs.nytimes.com/2018/01/18/roger-fenton-the-first-great-war-photographer/
- Images by Roger Fenton, the originator of the war photography genre, from the Crimean War are featured in a new book. ... But he did give the British public a view of the war by portraying the lives of British enlisted men and officers, as well as showing the armaments, supply routes and the many, many horses that were the critical military ...
Photographing conflict: Roger Fenton and the Crimean War
- https://blog.scienceandmediamuseum.org.uk/remembrance-day-part-1-photographing-war-fenton-crimean/
- Two Sergeants of the 4th Light Dragoons, 1855, Roger Fenton, The Royal Photographic Society Collection. Born into a wealthy family, Roger Fenton studied both law and painting before taking up photography. He was among the first Victorians to regard photography as a commercial venture and photographed landscapes, beauty spots and stately homes ...
A History of Photography, by Robert Leggat: FENTON, Roger
- http://www.mpritchard.com/photohistory/history/fenton.htm
- FENTON, Roger. b. Mar 1819; d. 8 Aug 1869 . ... For reasons that are not clear, he gave up taking photographs in 1861 and returned to the law; it has been suggested that this was because of his dislike for the increasing commercialisation of photography ... It is worth noting that this prolific output and contribution to photography was ...
Roger Fenton, Crimean War Photographer - Warfare …
- https://warfarehistorynetwork.com/2015/07/16/roger-fenton-crimean-war-photographer/
- By Peter Harrington. In the annals of war photography, Roger Fenton stands with Mathew Brady, Alexander Gardener, and James Robertson as one of the pioneering spirits. His name is ever linked to the Crimean War. The work he did in that period built his reputation and sustained him until his death in August 1869.
Roger Fenton and the Victorian Era - Art History Unstuffed
- https://arthistoryunstuffed.com/roger-fenton-and-the-victorian-era/
- By mid-century, photography was freed from its past and could move to its future. Fenton was no stranger to France. Drifting out of law and into painting, the son of England’s newly wealthy middle class had studied in the ateliers of Paul Delaroche and Michel-Martin Drolling, a student of Jacques-Louis David.
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