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Henri Cartier-Bresson | International Photography Hall of Fame
- https://iphf.org/inductees/henri-cartier-bresson/#:~:text=With%20the%20onset%20of%20war%2C%20Cartier-Bresson%20entered%20the,he%20began%20a%20new%20photographic%20series%20of%20portraiture.
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Henri Cartier-Bresson | French photographer | Britannica
- https://www.britannica.com/biography/Henri-Cartier-Bresson
- Henri Cartier-Bresson, (born August 22, 1908, Chanteloup, France—died August 3, 2004, Céreste), French photographer whose humane, spontaneous photographs helped establish photojournalism as an art form. His theory that photography can capture the meaning beneath outward appearance in instants of extraordinary clarity is perhaps best expressed in his book …
Henri Cartier-Bresson - Photographer, Filmmaker - Biography
- https://www.biography.com/artist/henri-cartier-bresson
- Synopsis. Henri Cartier-Bresson was born on August 22, 1908 in Chanteloup, France. A pioneer in photojournalism, Cartier-Bresson wandered around the world with his camera, becoming totally ...
Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/cartier-bresson-henri/
- Modern motion is celebrated by the fact that it is forever stopped, the leaping man will never hit the puddle, the split-second image is permanently frozen in time. The improvements in camera technology allowed for such images to be made and this progress is celebrated in Cartier-Bresson's photographs.
Henri Cartier-Bresson | International Photography Hall of …
- https://iphf.org/inductees/henri-cartier-bresson/
- With the onset of war, Cartier-Bresson entered the French military as a photographer. Captured in Germany in 1937, three attempts and three years later, he escaped. This experience colored a new perception on life, a new appreciation of people. Thus, he began a …
Henri Cartier-Bresson Photographer - Street Photography
- https://streetphotography.com/henri-cartier-bresson-photographer/
- Henri Cartier-Bresson is a name like no other when it comes to street photography. After all, HCB is often credited as the “grandfather” of the genre. Although HCB was, unquestionably, a key figure in the development of what would become known as street photography, his role may not have been as intentional as we sometimes like to believe.
Henri Cartier-Bresson Photos and His Legacy, History of …
- https://mymodernmet.com/henri-cartier-bresson/
- Born in 1908, the French photographer would grow up supported in his pursuit of the arts by his parents. Leaning on them financially, he studied art and entered the studio of André Lhote, a Cubist painter and sculptor. Lhote tried to marry French classical painting with the modern trend of Cubism, and though Cartier-Bresson grew frustrated with Lhote’s theoretical …
5 Things to Know about Photographer Henri Cartier …
- https://www.artsy.net/article/artsy-editorial-henri-cartier-bresson-remains-one-photographys-figures
- Henri Cartier-Bresson viewed a powerful still image as the hairsbreadth of an instant. To his mind, a photographer had a fleeting moment when all the moving parts aligned, revealing something honest and true about the world—the photographer just had to know exactly when to fire the shutter. A strong composition wasn’t merely a product of serendipity, though: …
Henri Cartier-Bresson – Photographer, Filmmaker
- https://philinterschool.com/henri-cartier-bresson-photographer-filmmaker/
- The naturalist in Cartier-Bresson believed that all edits should be done when the image was made. His equipment load was often light: a 50mm lens and if he needed it, a longer 90mm lens. Commercial Success. Cartier-Bresson’s rise as a photographer proved rapid. By the mid 1930s he’d shown his work in major exhibits in Mexico, New York, and Madrid.
Why Did Henri Cartier-Bresson Give Up Photography?
- https://erickimphotography.com/blog/2019/11/19/why-did-henri-cartier-bresson-give-up-photography/
- Henri Cartier-Bresson Nude Photograph. “For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to ‘give a meaning’ to the world, one has to feel oneself involved in what one frames through the viewfinder.
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