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Why Did Charles Baudelaire Believe Photography Was Not Art

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When Photography Wasn't Art - JSTOR Daily

    https://daily.jstor.org/when-photography-was-not-art/#:~:text=Photography%20couldn%E2%80%99t%20qualify%20as%20an%20art%20in%20its,John%20Moran%2C%20however%2C%20fought%20back%20against%20this%20idea.
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Charles Baudelaire: Contrast Between Photography And Art

    https://www.studymode.com/essays/Charles-Baudelaire-Contrast-Between-Photography-And-Art-85884905.html
    He viewed photography as a mechanical process inferior to art and science, and devoid of sentiments and natural beauty. He believed photography can produce only hideous results. He saw photography as encroaching Continue Reading Check Writing Quality You May Also Find These Documents Helpful

When Photography Wasn't Art - JSTOR Daily

    https://daily.jstor.org/when-photography-was-not-art/
    Photography couldn’t qualify as an art in its own right, the explanation went, because it lacked “something beyond mere mechanism at the bottom of it.” At best, critics viewed photography as a useful tool for painters to record scenes that they may later more artfully render with their brushes.

Charles Baudelaire, On Photography , from The Salon of …

    https://www.csus.edu/indiv/o/obriene/art109/readings/11%20baudelaire%20photography.htm
    Some of his concerns about the creative situation for the artist in a mechanically progressive age are displayed in this commentary on photography from the Salon review of 1859, the year most Baudelaire scholars consider his most brilliant and productive. In the twelve years between the 1846 review and this one, the poet’s contempt for the ...

Charles Baudelaire Overview and Analysis | TheArtStory

    https://www.theartstory.org/influencer/baudelaire-charles/
    Summary of Charles Baudelaire. Baudelaire is arguably the most influential French poet of the nineteenth century and a key figure in the timeline of …

Baudelaire Against Photography - JSTOR

    https://www.jstor.org/stable/2905650
    thoughts to entertain the aesthetic potential of photography. The Baudelaire of 1859 excludes photography from the aesthetic do-main, "le domaine de l'impalpable et l'imaginaire," and consigns it to the domain of technology. Such a categorical exclusion is inti-mately tied to Baudelaire's moralist stance, as we may gather from

why baudelaire believed photography was not art - ormamail.fr

    https://ormamail.fr/furfural-formula-blykpu/deac59-why-baudelaire-believed-photography-was-not-art
    “During this lamentable period, a new industry arose which contributed not a little to confirm stupidity in its faith and to ruin whatever might remain of the di­vine in the French mind. does the painter still know this happiness? In my opinion and in the context of the knowledge I have gained from my program of studies, it is impossible to produce an image that is definitive or perfect ...

Charles Baudelaire and Art Criticism - Art History Unstuffed

    https://arthistoryunstuffed.com/baudelaire-art-criticism/
    BAUDELAIRE AS ART CRITIC. “We are going to be impartial. We have no friends—that is a great thing—and no enemies.”. Thus Charles Baudelaire began his career as an art critic with the Salon of 1845. With a tone we suspect to be sardonic, the young writer addressed himself to the bourgeoisie, “a very respectable personage; for one must ...

Symbolism, Aestheticism and Charles Baudelaire

    https://literariness.org/2017/11/13/symbolism-aestheticism-and-charles-baudelaire/
    Baudelaire is in accord with Poe on a number of issues: the mediocrity of the entire bourgeois system of values and their political incarnation in the form of democracy, the natural fallenness of humankind, the autonomy of poetry, and the aim of poetry as beauty. Baudelaire sanctions the fundamental views expressed in Poe’s The Poetic Principle: that an …

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