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Baudelaire Against Photography - JSTOR
- https://www.jstor.org/stable/2905650
- thoughts to entertain the aesthetic potential of photography. The Baudelaire of 1859 excludes photography from the aesthetic do-main, "le domaine de l'impalpable et l'imaginaire," and consigns it to the domain of technology. Such a categorical exclusion is inti-mately tied to Baudelaire's moralist stance, as we may gather from
Charles Baudelaire, On Photography , from The Salon of …
- https://www.csus.edu/indiv/o/obriene/art109/readings/11%20baudelaire%20photography.htm
- Charles Baudelaire, father of modern art criticism, was deeply ambivalent about modernity. Some of his concerns about the creative situation for the artist in a mechanically progressive age are displayed in this commentary on photography from the Salon review of 1859, the year most Baudelaire scholars consider his most brilliant and productive.
Baudelaire and Photography: Finding the Painter of …
- https://www.goodreads.com/book/show/35636435-baudelaire-and-photography
- Why did the exce. While Baudelaire's 'Le Peintre de la vie moderne' is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essay's publication in 1863. Worse still, in his 'Salon de 1859', Baudelaire had also chosen to condemn photography in terms that echo to this …
Photography Murdered Painting, Right? - Smithsonian …
- https://siarchives.si.edu/blog/photography-murdered-painting-right
- It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement attributed to the French history painter, Paul Delaroche (1797-1859), gets dusted off for re-use. “From today,” Delaroche supposedly intoned—and whether he spoke excitedly or portentously, we’ll never …
Charles Baudelaire and Art Criticism | Art History Unstuffed
- https://arthistoryunstuffed.com/baudelaire-art-criticism/
- BAUDELAIRE AS ART CRITIC. “We are going to be impartial. We have no friends—that is a great thing—and no enemies.”. Thus Charles Baudelaire began his career as an art critic with the Salon of 1845. With a tone we suspect to be sardonic, the young writer addressed himself to the bourgeoisie, “a very respectable personage; for one must ...
Charles Baudelaire Overview and Analysis | TheArtStory
- https://www.theartstory.org/influencer/baudelaire-charles/
- Summary of Charles Baudelaire. Baudelaire is arguably the most influential French poet of the nineteenth century and a key figure in the timeline of European art history. A denizen of Paris during the years of burgeoning modernity, his writing showed a strong inclination towards experimentation and he identified with fellow travellers in the ...
"From Today Painting is Dead": Photography's …
- https://www.artandobject.com/news/today-painting-dead-photographys-revolutionary-effect
- Upon seeing the first daguerreotype around 1840, the French painter Paul Delaroche (1797-1856), declared: “From today, painting is dead.”. Painting did not die that day, but photography was born, disrupting the world and its social order through the creation of new ways to see, understand, and explore. The exhibition From Today Painting is Dead at the Barnes …
A History of Photography, by Robert Leggat: DELAROCHE, Paul
- http://www.mpritchard.com/photohistory/history/delaroch.htm
- DELAROCHE, Paul. b. 1797; d. 1859 . Paul Delaroche, one of the foremost history painters of his time, was not, as far as it is known, ... At a time when photography is taken totally for granted, one needs to appreciate the sensation caused by the announcement of the Daguerreotype. The idea that a picture could be captured without the need for ...
history of photography - Daguerreotype | Britannica
- https://www.britannica.com/technology/photography/Daguerreotype
- Louis-Jacques-Mandé Daguerre was a professional scene painter for the theatre. Between 1822 and 1839 he was coproprietor of the Diorama in Paris, an auditorium in which he and his partner Charles-Marie Bouton displayed immense paintings, 45.5 by 71.5 feet (14 by 22 metres) in size, of famous places and historical events. The partners painted the scenes on translucent paper or …
Important Events in Photography | American Experience
- https://www.pbs.org/wgbh/amex/eastman/peopleevents/pande10.html
- Upon seeing his first daguerreotype, the painter Paul Delaroche declared, "From today painting is dead," and Samuel F. B. Morse, an accomplished painter as well as the inventor of the telegraph ...
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