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8 Great Tips for Using Typography or Text in Photography
- https://expertphotography.com/typography-text-in-photography/
- If the text is a hero of your image, there’s no way to ignore it. In the image below, the text is the main reason the photo was created in the first place. It takes up most of the space and practically is the model whose portrait you’re trying to create. Text is definitely the lead actor in this image. There can be some middle ground cases too.
Literature and Photography: From Text to Photo, from Photo to Text
- https://photocaptionist.com/literature-photography-text-photo-photo-text/
- Closer to Rodenbach and far from the mysterious atmospheres of Wells and Coburn is André Breton, who in 1928 published Nadja, a work in which photographs are primarily used for documentary purposes and serve as a counterbalance to the enigmas of the text, appearing, in the words of the author, as a veritable ‘anti-literary mystery’.If Wells and …
Conversations: Text and Image - Museum of Contemporary …
- https://www.mocp.org/exhibitions/2000/4/conversations-text-and-image.php
- At this time an increasing number of artists began to consciously combine text with their imagery to widen the discourse of the critics. Martha Rosler produced the project seen in this exhibition, The Bowery in Two Inadequate Descriptive Systems, in 1974-5. As her title suggests, she was interested in theoretical issues concerning photography as a purveyor of truth, but she also …
Creative use of text in fine art photography - ART U Lens
- http://artulens.com/ph-692/2017/10/30/creative-use-of-text-in-fine-art-photography
- Sophie Calle is a French conceptual artist (b.1953) working with photography and installation known for combining images with text in order to communicate narratives of her own and others private experience. Her work is characterized by voyeurism and surveillance.
Communicating Through Images - Seeing Photography As A …
- https://www.lightstalking.com/communicating-images-seeing-photography-language/
- A photographer’s “style” can be seen as the way they use this language to transmit meaning and their message. Photographers achieve this through certain attributes: Photographic attributes: from the choice of exposure to the choice of frame, all these attributes refer to the way a photographer uses the camera to detail and document their ...
Psychology of the photographic, cinematic, televisual
- https://www.researchgate.net/publication/264901291_Psychology_of_the_photographic_cinematic_televisual_and_digital_image
- An original and sustained meditation on the historiographic status of cinematic signs, Change Mummified is both an intervention in film and media studies and an …
How to Make Your Photographs Look Cinematic – 14 Creative Tips
- https://photographycourse.net/cinematic-photography/
- Add Black Horizontal Bands. Black bands on the top and bottom of your wide shot will also help the viewer associate the image with a video still. A smart tip is to crop your image at 2.35:1 and then put it on a black document at 16:9. This will give you a …
8 tips to give your photos an authentic, cinematic feel - Learn
- https://www.canva.com/learn/8-tips-give-photos-authentic-cinematic-feel/
- 01. Study your favorite movies. Before you can take cinematic photos, you need to ask yourself what makes something look picturesque in the first place. Forget about looking up its textbook definition. Instead, watch your favorite films and try to …
How to Give Your Photos a Cinematic Feel - Shutterstock
- https://www.shutterstock.com/blog/cinematic-photography-tips
- Crop to a Cinematic Aspect Ratio. To see your photo as a screenshot from a movie, crop your photo to a cinematic aspect ratio. Aspect ratio is the proportional relationship between the height and width of your image. A widely used aspect ratio in film photography is 1.85:1 and 2.39:1. Whatever you lose in resolution, you gain back in a more ...
The Scene of the Screen: Envisioning Photographic, …
- https://mediarep.org/bitstream/handle/doc/14406/Post-Cinema_88-128_Sobchack_The_Scene_of_the_Screen_.pdf?sequence=4
- culture, and we live cinematic and electronic lives. Indeed, it is not an exaggeration to claim that none of us can escape daily encounters—both direct and indirect—with the objective phenomena of photographic, cinematic, televisual, and computer technologies and the networks of communication and texts they produce.
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