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The Myth of Straight Photography: Sharp Focus as a Universal La…
- https://fkmagazine.lv/2018/01/18/the-myth-of-straight-photography-sharp-focus-as-a-universal-language/#:~:text=His%20history%20overemphasizes%20the%20role%20of%20French%20photographer,his%20archive%20and%20brought%20it%20to%20the%20US.
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Straight Photography Movement Overview | TheArtStory
- https://www.theartstory.org/movement/straight-photography/
- Paul Strand and Alfred Stieglitz pioneered Straight photography in New York while the Hungarian-born László Moholy Nagy exploited pure photography to maximize the …
Straight Photography - Important Photos | TheArtStory
- https://www.theartstory.org/movement/straight-photography/artworks/
- Adams was one of the leading members of Group f/64, along with Cunningham and Weston, and an ardent advocate for what he called "pure or straight photography." His landscapes were enormously popular with the general public, but critically influential to many photographs, like Harry Callahan who felt that Adam's focus on "just the straight photograph" set him free to …
What is Straight Photography? What is Considered Straight?
- https://www.imaginated.com/photography/photography-glossary/what-is-straight-photography/
- In the late 1880s, Henry Frederic Evans became the first advocate of pure/straight photography. It was created as an alternative to pictorialism. It created symbolist images that evoked meaning from architectural structures.
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- The term “straight photography” was popularized by critic Sadakichi Hartmann, who often wrote for Camera Work. In a 1904 article titled “A Plea for Straight Photography,” Hartmann bemoaned the excessive handwork and painterly flourishes that characterized much of what he saw in Pictorialist photography, arguing, “We expect an etching to look like an etching, and a …
Who Of The Following Is The Pioneer Of Straight Photography?
- https://fusiontr.com/who-of-the-following-is-the-pioneer-of-straight-photography/
- He founded together with Ansel Adams, Imogen Cunningham, Willard Van Dyke, Sonya Noskowiak, Dorothea Lange, an informal grouping, who took the name Group f/64 in reference to an extremely small aperture setting which would produce abrupt focus and peachy depth of field. The almost influential of these photographers was Ansel Adams.
The Rise of Straight Photography: Alfred Stieglitz
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/dylan-lavigne-assignment-3
- Alfred Stielgitz was developing a new vision for creating art through photography by creating a photo that blended creativity of form and message about the world. Stieglitz described this new form of work as Straight Photography, and noted that his new work was “intensely direct… Not a trace of hand work on either negative or prints.
The Myth of Straight Photography: Sharp Focus as a Universal …
- https://fkmagazine.lv/2018/01/18/the-myth-of-straight-photography-sharp-focus-as-a-universal-language/
- His history overemphasizes the role of French photographer Eugène Atget (1857–1927) as the founding father of “straight” photography. Atget’s work, however, would have remained virtually unknown if the American photographer Berenice Abbott (1898–1991) would not have purchased his archive and brought it to the US.
What is Straight Photography | An Essay | VISHY MOGHAN
- https://vishymoghan.com/archives/straight-photography-essay/
- At first, straight photography was a viable choice within pictorialism, as, for example, the work of Henry Frederick Evans. Paul Strand’s 1917 characterisation of his work as “absolute unqualified objectivity” described a change in the meaning of the term.
History of Art: History of Photography
- http://all-art.org/history658_photography9-2.html
- photographers Herbert Bayer and Walter Pererhans, both of the Bauhaus, as well as that of Funke, Florence Henri, and the American Paul Outerbridge. Henri's studies at the Bauhaus and with painter Fernand Leger may account for her preference for the mirrors and spheres that appear again and again
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