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White or Grey? Which Works Best for Photography Studio Walls?
- http://www.benchrismanblog.com/white-or-grey-which-works-best-for-photography-studio-walls#:~:text=Now%20if%20your%20photography%20style%20varies%20because%20your,or%20of%20a%20material%20that%20is%20not%20reflective.
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White or Grey? Which Works Best for Photography Studio Walls?
- http://www.benchrismanblog.com/white-or-grey-which-works-best-for-photography-studio-walls
- However, if you will be tasked to shoot bottled products or those that come in shiny, glossy packages, a grey wall will serve as the ideal background. A white wall tends to produce extra light that is likely to bounce on the glass or shiny material, while a grey wall will absorb those extra lights, which eliminates unwanted light reflections on your photographs.
Grey or white backdrop? - Digital Photography Review
- https://www.dpreview.com/forums/thread/2924393
- As someone else mentioned, the gray is great if you want to use colored gels. The colors from the gels are much more saturated with the gray as opposed to the white background. By the way, I can get almost a white background with the gray paper too. It is all in how you light your background. http://www.blackcanyonsystems.com -- Lawrence
What background should you use with coloured gels?
- https://www.diyphotography.net/background-use-coloured-gels-grey-white/
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How to Choose the Right Photography Backdrop
- https://digital-photography-school.com/choose-the-right-photography-backdrop/
- White seamless paper is often ideal for a studio set up when you want to cut out the background and replace it with something else. Santa in front of black …
Green screen vs white/grey/black , which is the best to …
- https://www.dpreview.com/forums/thread/4336685
- If you want to eliminate or replace the background, that is most easily done by saturating one color channel and nothing else. A gray or white background that has nearly equal levels of all primary colors is the worst …
Why Gray is the Most Adaptable Photography …
- https://lifehacker.com/why-gray-is-the-most-adaptable-photography-background-c-1787680157
- Farther away, and the gray background drops almost to black. Adding a background light lets you create a gradient and can also blow out the background if you want to go fully white. Add color gels...
What is the best background color to use when displaying …
- https://photo.stackexchange.com/questions/5002/what-is-the-best-background-color-to-use-when-displaying-images
- 15. 50% gray. The area around your image is a light source (either emitted, or reflected). If the surrounding area is white, your iris will close slightly to accommodate the excess light. Your will perceive the image as darker than it actually is because your iris is a little too closed. If the surrounding area is black, your iris will open up slightly to accommodate the lack of light.
Why Gray is the Best Backdrop Color for Simple Portrait …
- https://petapixel.com/2016/06/15/gray-best-backdrop-color-simple-portrait-studios/
- “With a minimal amount of effort, you can turn a gray backdrop into white, or black or pretty much any color you can imagine,” Edelman says. “You can use seamless paper backgrounds or vinyl...
3 Rookie Mistakes to Avoid When Shooting on a White …
- https://digital-photography-school.com/3-rookie-mistakes-to-avoid-when-shooting-on-a-white-background/
- Unfortunately, it’s not so simple. Using the method described above would result in a photo with either a gray, dull, or muddy-toned background. The best possible result would be an off-white background after you have done some edits. That’s not the only issue, though; you’d see unwanted shadows everywhere, too.
A white background for your images instantly - PhotoRoom
- https://www.photoroom.com/white-background/
- Our tool automatically removes the background from your photo. Once the background is detected it's automatically changed to white. Additionally, you can use the "Light on" tool in the PhotoRoom app to make your subject looks brighter. A white background might make your subject looks too dark. 3.
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