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When and how photography became art - PHOTOPORTRAYAL
- https://www.photoportrayal.com/blogs/blog/when-and-how-photography-became-art
- So, by the early 1940s photography was officially considered as an art form in the United States, and people in Europe and other areas worldwide soon started sharing this opinion. Leading to its general adoption as a valuable form of art with investment potential.
When did Photography Become Art? | MOST iNFLUENTIAL ART
- https://www.mostinfluentialart.com/when-did-photography-become-art
- It was not until the first decade of the XX century that photography finally came into focus for the art world. In New York, Alfred Stieglitz began to feature photographs (often his own work) in his Photo-Secession Gallery, displayed alongside sculptures and paintings.
When photography became art – Harvard Gazette
- https://news.harvard.edu/gazette/story/2010/10/when-photography-became-art/
- It was a moment in time when “photography’s quest to be art [was] not quite accepted. The Stieglitz gravures were the only photographs brought into the Harvard collection in 1969. By 1970, though, Harvard acquired its collection of Ben Shahn photographs, and by 1972 Davis Pratt became the first curator of photographs at what is now the Fogg Museum.
When did photography become an art? - AskingLot.com
- https://askinglot.com/when-did-photography-become-an-art
- When did photography become an art? By the early 1940s photography had officially become an art form in the United States, and it soon received the same consideration in Europe and beyond. Click to see full answer. Also, who turned photography into an art form? Alfred Stieglitz is photography considered an art form?
history of photography - Photography as art | Britannica
- https://www.britannica.com/technology/photography/Photography-as-art
- Photography as art Early developments Photographic societies—made up of both professionals and amateurs enticed by the popularity of the collodion process—began to form in the mid-19th century, giving rise to the consideration of photography as an aesthetic medium.
When and how photography became art | Ben Chrisman Blog
- http://www.benchrismanblog.com/when-and-how-photography-became-art
- When and how photography became art. Photography was invented within the 1820s and quickly became popular thereafter, but it absolutely was originally considered a mere skill instead of a kind of art. for pretty much 100 years photographic prints never appeared in any art galleries or exhibitions, and photography was seen to be more a part of technical …
When did photography become art? - FOTO SPACE
- https://kvartira-foto.ru/when-did-photography-become-art/
- By the early 1940s photography had officially become an art form in the United States, and it soon received the same consideration in Europe and beyond. FAQ Why is photography so powerful? Photography has the power to move us. Photographs can grab our attention and speak directly to our emotions. ...
How Photography Became Art: An Evolving History
- https://www.yeetmagazine.com/how-photography-became-art-an-evolving-history-2/
- Photography began evolving into being accepted as art around the 1890s. Some photographers created images using special devices like larger lenses, which made their work stand out more than what came before them. Why do people think that photography is …
Paddy Scott: When Did Photography Become an Art?
- https://paddyscott.neocities.org/writingpieces/whendidphotographybecomeanart.html
- It might very well have answered, according to the The Mayer-Pierson Case, that photography became an art in 1862. By January, 1862, Louis Frederic Mayer and Pierre-Louis Pierson had been in partnership for a number of years and their “Mayer et Pierson” studio was Paris’ foremost producer of “society photographs”, portrait photos of the leading figures of the bourgeoisie and …
When Photography Wasn't Art - JSTOR Daily
- https://daily.jstor.org/when-photography-was-not-art/
- Photography was invented in the 1820s and though it remained a fledgling technology in the few decades thereafter, many artists and art critics still saw it as a threat, as the artist Henrietta Clopath voiced in a 1901 issue of Brush and Pencil:
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