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What Was The Photographic Process In 1860S

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Daguerreotype Process | The Historic New Orleans Collection

    https://www.hnoc.org/virtual/daguerreotype-digital/daguerreotype-process#:~:text=1840%E2%80%931860s%20The%20daguerreotype%20process%20made%20it%20possible%20to,ushered%20in%20a%20new%20age%20of%20pictorial%20possibility.
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An Introduction to Photographic Processes - The New …

    https://www.nypl.org/collections/nypl-recommendations/guides/photographic-processes
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19th Century Photographic Processes and Formats

    https://unwritten-record.blogs.archives.gov/2020/05/14/19th-century-photographic-processes-and-formats/
    The photograph, reportedly showing Lincoln at Gettysburg, is found within our Mathew Brady Civil War collection. The wet-collodion process …

The Photographic Process - The Last Full Measure: Civil …

    https://www.loc.gov/exhibits/civil-war-photographs/the-photographic-process.html
    James Ambrose Cutting patented the ambrotype process in 1854. Ambrotypes reached the height of their popularity in the mid-1850s to mid-1860s. Cartes de visite and other paper print photographs, easily available in multiple copies, …

A Brief History of Photography

    https://www.historyonthenet.com/authentichistory/1865-1897/5-technology/1-photography/index.html
    CARTE-De-VISITE (CDV): 1860-1900 A card mounted photograph measuring 2.5 x 4 inches; produced at a photo studio. The CDV was patented in Paris in 1854, and achieved popularity in the United States in 1860. It used the albumen found in …

Historic Photographs - Photographic Processes

    https://www.bl.uk/onlinegallery/features/photographicproject/photographicprocesses.html
    Frederick Scott Archer's wet collodion process, announced in 1851, became the standard photographic negative process for both amateurs and professionals from the mid-1850s until the early 1880s. The glass negative, with its structureless film, fine grain and clear whites proved immediately popular and within a decade had superseded both the daguerreotype and the …

Historic Photographic Processes in a Nutshell | Denver …

    https://history.denverlibrary.org/news/historic-photographic-processes-nutshell
    Gelatin silver printing is a general term for the most common process of making black and white photographs since the 1890s. A variety of photographic print papers were introduced in the 1880s. They included various developing out and printing out papers. Developing out prints are cool black and white images.

History of photography - Wikipedia

    https://en.wikipedia.org/wiki/History_of_photography
    Known as the daguerreotype process, it was the most common commercial process until the late 1850s when it was superseded by the collodion process. French-born Hércules Florence developed his own photographic technique in 1832 or 1833 in Brazil, with some help of pharmacist Joaquim Corrêa de Mello (1816–1877). Looking for another method to copy …

A History of photographic processes - RootsWeb

    https://sites.rootsweb.com/~nygreen2/a_history_of_photographic_processes.htm
    By the late 1850s, the ambrotype was overtaking the daguerreotype in popularity; by the mid-1860s, the ambrotype itself was supplanted by the tintype and other processes. Ambrotypes were often hand-tinted. Untinted ambrotypes are grayish-white and have less contrast and brilliance than daguerreotypes.

Daguerreotype Process | The Historic New Orleans …

    https://www.hnoc.org/virtual/daguerreotype-digital/daguerreotype-process
    1840–1860s. The daguerreotype process made it possible to capture the image seen inside a camera obscura and preserve it as an object. It was the first practical photographic process and ushered in a new age of pictorial possibility. The process was invented in 1837 by Louis Jacques Mandé Daguerre (1787–1851).

How long did it take to take a picture in the 1860s? How …

    https://www.quora.com/How-long-did-it-take-to-take-a-picture-in-the-1860s-How-much-did-it-cost-for-one
    Tintypes were the most common photographic process in the 1860s. The common exposure time was 15 to 30 seconds. (Tintype by James Millar on Exposure) Daguerreotypes were also shot. These took longer—60 to 90 seconds. (Daguerreotype Q&A) Large format cameras (common for landscapes) would require longer exposures.

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