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Dorothea Lange - 60 artworks - photography - WikiArt
- https://www.wikiart.org/en/dorothea-lange#:~:text=Lange%20began%20to%20photograph%20these%20luckless%20folk%2C%20leaving,found%20her%20purpose%20and%20direction%20as%20a%20photographer.
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Dorothea Lange Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/lange-dorothea/
- Dorothea Lange's images of Depression-era America made her one of the most acclaimed documentary photographers of the 20 th century. She is remembered above all for revealing the plight of sharecroppers, displaced farmers and migrant workers in the 1930s, and her portrait of Florence Owens Thompson, Migrant Mother, Nipomo, California (1936), has become an icon of …
Dorothea Lange | Biography, Photographs, & Facts | Britannica
- https://www.britannica.com/biography/Dorothea-Lange
- Dorothea Lange, (born May 26, 1895, Hoboken, New Jersey, U.S.—died October 11, 1965, San Francisco, California), American documentary photographer whose portraits of displaced farmers during the Great Depression greatly influenced later documentary and journalistic photography. Lange studied photography at Columbia University in New York City …
Life Story: Dorothea Lange, 1895–1965 - Women & the American …
- https://wams.nyhistory.org/confidence-and-crises/great-depression/dorothea-lange/
- Dorothea was an optimist. Although her photographs often captured people at their lowest points, they also showed resiliency. Dorothea hoped others would see her images and sympathize with their fellow Americans who were struggling. Many of her images were published anonymously in newspapers and magazines.
Dorothea Lange: A Powerful Photographic Portrayal Of Strength …
- https://theculturetrip.com/north-america/usa/california/articles/dorothea-lange-a-powerful-photographic-portrayal-of-strength-through-suffering/
- Dorothea Lange’s iconic photograph Migrant Mother (1936) has long been used to epitomize the Great Depression in the United States. Lange’s documentary photographs have shaped the discipline, acting as a vehicle for socio-political commentary whilst preserving moments in ‘contemporary’ life.
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