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Brisbane based photographer

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What Our Eyes Are Drawn To In Photography

Interested in photography? At kaitphotography.com.au you will find all the information about What Our Eyes Are Drawn To In Photography and much more about photography.


How to Use Eye-Lines to Influence Your Viewers – Photography C…

    https://expertphotography.com/basic-composition-techniques-eye-lines/#:~:text=Our%20eyes%20are%20naturally%20drawn%20to%20the%20face,first%20and%20then%20the%20eye-lines%20direct%20our%20attention.
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6 Techniques to Draw the Eye to an Object in Your …

    https://www.lightstalking.com/draw-the-eye/
    If the main subject of your image is brighter compared to its surroundings then it will naturally draw the eye. One easy post-production …

How to Use Eye-Lines to Influence Your Viewers – …

    https://expertphotography.com/basic-composition-techniques-eye-lines/
    Our eyes are naturally drawn to the face – the eye in particular – because that’s what we do when we interact with people. A face is about the …

Study: Your Eyes Are Drawn to What’s Meaningful, Not to …

    https://bigthink.com/neuropsych/study-finds-our-eyes-are-drawn-to-meaning-not-to-what-sticks-out/
    The leading theory in attention studies says that our eyes are drawn to things that are visually salient — or, those that “stick out” to us. However, a new study from UC Davis overturns that ...

Eyes In Photography | Make Your Portraits Stand Out

    https://bidunart.com/eyes-in-portrait-photography/
    The eyes are a reflection of the true essence of the person. In the process of portrait photography, it is necessary to focus on the eyes. …

Composition Tips for Drawing the Viewer’s Eye Through …

    https://digital-photography-school.com/composition-tips-drawing-viewers-eye-through-your-photographs/
    Composition Tips for Drawing the Viewer’s Eye Through Your Photographs The Human Eye. Our eyes are bombarded by so many different sights every day …

Pulling the Eye: Visual Mass and Composition

    https://photography.tutsplus.com/articles/pulling-the-eye-visual-mass-and-composition--photo-5521
    Warm colours pull the eye more than cool colours. Warm colours seem to come towards the viewer. Cool colours recede. Landscape photography is an area where you can use this to your advantage. Where does your eye go to in the photo above? Straight to the standing stone. The eye is pulled by the warm colour created by the light from the setting sun.

What Attracts the Eye? - Photo Tips @ Earthbound Light

    http://www.earthboundlight.com/phototips/what-attracts-the-eye.html
    If an image has some areas in sharp focus and other areas that are less sharp, the eye generally is drawn to the areas in focus. If the autofocus on your camera focuses on a tree immediately behind your subject rather than the subject itself, a viewer will at best be confused as to what the intended subject is.

5 Simple Techniques for Leading the Viewer’s Eye in Your …

    https://digital-photography-school.com/5-techniques-leading-viewers-eye/
    The human eye is drawn to the brighter elements, and if you position an area of brightness within your image, the eye will be drawn to that location. It is important, however, to remember that the key to this technique is to use a gradient of brightness.

People Are More Drawn to Meaning in Photos Than Parts …

    https://petapixel.com/2017/09/27/eyes-drawn-meaning-photos-things-stick/
    People's eyes are more attracted to areas of photos that have more "meaning" than areas that "stick out." That's according to a newly published study by a PetaPixel

Focus on the Eyes for Powerful Portraits - B&H Explora

    https://www.bhphotovideo.com/explora/photography/tips-and-solutions/focus-on-the-eyes-for-powerful-portraits
    A portrait is intended to communicate, and having your subject’s eyes engaged with your gaze as a photographer will convey characteristics about that person to the viewer. As a photographer, it’s your job to ensure that the characteristics are true to the person, not caricaturized nor only true to the fleeting moment of that exposure.

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