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“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of the plastic arts and then leads us into his article on the ...
The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE - De …
- https://www.degruyter.com/document/doi/10.1525/9780520931251-004/html
- THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE was published in What Is Cinema? Volume I on page 9.
The Ontology Of The Photographic Image Analysis | ipl.org
- https://www.ipl.org/essay/The-Ontology-Of-The-Photographic-Image-Analysis-P362ZQK6CED6
- André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay.
The Ontology of Photography: From Analogue To Digital
- https://philosophynow.org/issues/95/The_Ontology_of_Photography_From_Analogue_To_Digital
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(PDF) The Ontology of the Photographic Image | 煜琨 许
- https://www.academia.edu/39187285/The_Ontology_of_the_Photographic_Image
- The Ontology of the Photographic Image ... and select for publication his post-World War 11 writings on the cinema. Of the planned four volumes, one was published i n 1958, and a second i n 1959; the remainder await some competent selective hand. T h e first volume centers on the theme of the, ontological basis of cinema or, as Bazin also puts ...
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- It confers on the photographic image an objectivity and quality of credibility absent from other art forms. It encourages an acceptance of existence of the object in time and space. Photography transfers reality from the object to its reproduced form.
Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
- Ian here— I have taught André Bazin’s essay “Ontology of the Photographic Image” in two very different contexts: once in the “Image” portion of the University of Chicago’s Media Aesthetics sequence in their Humanities Core, and once in a writing seminar at the School of the Art Institute of Chicago entitled “Moving Images and Arguments,” on cinematic rhetoric.
André Bazin, What is Cinema? 1945 Flashcards | Quizlet
- https://quizlet.com/24234226/andre-bazin-what-is-cinema-1945-flash-cards/
- *photography and the cinema are discoveries that satisfy all the essences for realism Psychology/Aesthetics "The Ontology of the Photographic Image" (1945) André Bazin AESTHETICS: is the expression of spiritual reality where the symbol exceed its model. (physically appealing)
André Bazin's Ontology of Photographic and Film Imagery
- https://academic.oup.com/jaac/article/63/4/339/5957356
- André Bazin, “The Ontology of the Photographic Image,” in What is Cinema, vol. 1, trans. Hugh Gray (University of California Press, 1971). David Brubaker’s “André Bazin on Automatically Made Images,” The Journal of Aesthetics and Art Criticism 51 (1993) : 59 – 67 , is an exceptional instance of a careful study of an aspect of Bazin's argument. 3
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