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What Photography Has in Common With an Empty Vase
- https://www.lensculture.com/articles/edgar-martins-what-photography-has-in-common-with-an-empty-vase#:~:text=Edgar%20Martins%20uses%20the%20social%20context%20of%20incarceration,a%20photograph%20reference%20something%20that%20it%20doesn%E2%80%99t%20depict%3F
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Edgar Martins: Inside Out - 1854 Photography
- https://www.1854.photography/2019/10/edgar-martins/
- As in the first book, Martins has employed what he calls ‘surrogacy’: images that serve to stand in for the issues he wants to represent. Photographs of animals are frequently used as stand-ins for human beings. Two great egrets fighting are an example of violence; a lion walking on tightropes is an expression of captivity.
I Need You More Than You Need Me - Photographs by …
- https://www.lensculture.com/articles/edgar-martins-i-need-you-more-than-you-need-me
- Photographs by Edgar Martins. Edgar Martins’ I Need You More Than You Need Me is a multifaceted body of work developed, over a period of 3 years, from a collaboration with Grain Projects and the families of inmates housed at Her Majesty’s Prison Birmingham, in the area of Winson Green, Birmingham. Using the social context of incarceration as a starting point, …
Edgar Martins, What Photography and Incarceration Has in …
- https://elephant.art/iotd/edgar-martins-what-photography-and-incarceration-has-in-common-with-an-empty-vase-2020/
- The three-year project was a collaboration between Martins and inmates at HMP Birmingham, and offers “a thoughtful, original take on its inherent prison theme,” in the words of Emily Gosling for Elephant. It saw Martins photograph “offenders, ex-offenders and their relatives, as well as people enacting their stories”, with truly intimate results. “I went to great …
Edgar Martins - Tique | publication on contemporary art
- https://www.tique.art/features/edgar-martins/
- Edgar Martins is an award winning visual artist who works across different media (photography, text, audio, film & installation) and who develops long term, socially engaged, public led projects, with a cross-sectoral approach. All images Courtesy by the artist. Over the past 15 years his practice has been increasingly rooted in long term projects with what he terms ‘hard-to-access’ …
Edgar Martins | English | Metal Magazine
- https://metalmagazine.eu/en/post/article/edgar-martins
- London-based Portuguese photographer, Edgar Martins, spent 4 years working closely with prisoners and their families to explore the concept of absence through incarceration. The result, What Photography and Incarceration have in Common with an Empty Vase, an exhibition that addresses the impact of enforced separation and deeply focuses on the ideas of presence, …
Behind the Scenes: Edgar Martins Speaks - The New York …
- https://lens.blogs.nytimes.com/2009/07/31/behind-10/
- Edgar Martins is a photographer whose picture essay in The Times Magazine on July 5 and an accompanying slide show on NYTimes.com, “Ruins of the Second Gilded Age,” were found to include digital...
Edgar Martins captures prisoners’ fear of being forgotten …
- https://www.wallpaper.com/art/edgar-martins-book-what-photography-and-incarceration-have-in-common-with-an-empty-vase
- In the midst of Edgar Martins new photobook lies a photograph of a note, written in pencil. It reads: ‘Adrian & Carmen, husband & wife, need help. Adrian can do massage, gardening, reflexology, any kind of chores. Carmen can take care of children, old people, pets. She can sweep, brush, water the plants, teach English.
What Photography & Incarceration have in Common with an
- http://www.edgarmartins.com/work/photography-common-empty-vase-2018-2019/
- What Photography has in Common with an Empty Vase is a multifaceted body of work developed from a collaboration with Grain Projects and HM Prison Birmingham (the largest category B prison in the Midlands, UK), its inmates, their families as well as a myriad of other local organisations and individuals. Using the social context of incarceration ...
Edgar Martins: The Madoff of Photography? - Jain Lemos
- https://www.jainlemos.com/edgar-martins-the-madoff-of-photography/
- by Jain Lemos | Jul 10, 2009 The New York Times Magazine photo editors were duped by Edgar Martins, who now admits he uses Photoshop, as revealed in his interview posted on Arte Photographica. He did not apologize—it was a “misunderstanding” of sorts—and spins a wild tale that goes nowhere to explain his audacity. Is his career over? No.
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