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Walter Benjamin on photography and film | viz.
- https://viz.dwrl.utexas.edu/old/content/walter-benjamin-photography-and-film.html
- Benjamin begins by outlining a history of artistic reproduction. Even the ancient Greeks had technologies to reproduce art, like founding and stamping. The principle difference between earlier forms of reproduction and photography, argues Benjamin, is speed. Photography, which allowed the artist to create with his eye rather than his hands, eventually developed into moving …
WALTER BENJAMIN ON PHOTOGRAPHY - JSTOR
- https://www.jstor.org/stable/pdf/23982301.pdf
- Walter Benjamin was concerned with photography - its invention and its history - because it represented to him a primary example of the effects of technology on aesthetic perception. He reviewed several books dealing with photography and its history. He wrote «A Short History of Photo graphy» (1931) and discussed photography in connection with problems
The Wont of Photography, or the Pleasure of Mimesis
- https://link.springer.com/chapter/10.1057/9780230297395_4
- Abstract. It remains common to assume that the invention of photography in the nineteenth century represented the epitome of imitation, a perfect culmination of the age-old debate on mimesis. By enabling the faithful reproduction of an original, a photograph held the capacity to establish as its own wont or habit that ancient aesthetic category ...
Stuff that matters. Mimesis and (the end of) magic in Walter …
- https://docgo.net/stuff-that-matters-mimesis-and-the-end-of-magic-in-walter-benjamin
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The Aenesthecizing and Mimetic Power of Photographs
- https://www.jsmcentral.org/sm-neurology/smjn-v3-1015.pdf
- Walter Benjamin saw in photography also the potential of becoming aware of meanings and thus appropriate experience into the life story. He calls this ‘innervation’, a processing of information stimuli that does not anaesthecize but uses the power of imagination and active response. The function of absorbing stimuli remains intact because
The idea of mimesis: Semblance, play, and critique in the …
- https://via.library.depaul.edu/cgi/viewcontent.cgi?article=1131&context=etd
- Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012).
Negativity, Iconoclasm, Mimesis: Kristeva and Benjamin …
- https://www.pdcnet.org/idstudies/content/idstudies_2008_0038_0001_0055_0074
- Negativity, Iconoclasm, Mimesis Kristeva and Benjamin on Political Art. I argue that in Julia Kristeva’s concept of negativity, conceived of as the recuperation, through transformation, of a traumatic remnant of the past, we can find a parallel to what Theodor Adorno, following Walter Benjamin, calls a mimesis that in its emphasis on non-identity is able to remain faithful to the …
mimesis - University of Chicago
- http://csmt.uchicago.edu/glossary2004/mimesis.htm
- Benjamin, Walter. "On the Mimetic Faculty," Reflections. New York: Schocken Books, 1986. Bhabha, Homi. ... Mimesis creates a fictional world of representation in which there is no capacity for a non-mediated relationship to reality . Aristotle views mimesis as something that nature and humans have in common - that is not only embedded in the ...
Giving to the world its own magic back: language, mimesis and art …
- https://www.thefreelibrary.com/Giving+to+the+world+its+own+magic+back%3A+language%2C+mimesis+and+art+in...-a0222559954
- Free Online Library: Giving to the world its own magic back: language, mimesis and art in Walter Benjamin's thought/ Dunyaya buyusunu geri vermek: Walter Benjamin'in dusuncesinde dil, mimesis ve sanat.(Report) by "Interactions"; Literature, writing, book reviews Language usage Analysis Mimesis (Arts) Mimesis in literature Philosophers Beliefs, opinions …
History of Photography - Monoskop
- https://monoskop.org/images/0/0e/Benjamin_Walter_1931_1999_Little_History_of_Photography.pdf
- History of Photography The fog that surrounds the beginnings of photography is not quite as thick as that which shrouds the early days of printing; more obviously than in the case of the printing press, perhaps, the time was ripe for the invention, and was sensed by more than one-by men who strove independently for ...
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