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Walter Benjamin Aura Photography

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Theory in Studio: Walter Benjamin and the Concept of Aura

    https://burnaway.org/magazine/theory-in-studio-walter-benjamin-and-the-concept-of-aura/
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Walter Benjamin Aura of Photography - [PDF Document]

    https://vdocument.in/walter-benjamin-aura-of-photography.html
    benjamins reflections on a photographic aura are condensed in his engagement with one particular image; just as roland barthess engagement with photography in camera lucida (1980) is centered on the absent winter garden image, benjamins meandering reflections on photographic reception and interpretation repeatedly return to the same picture, a …

Walter Benjamin Aura of Photography - DocShare.tips

    http://docshare.tips/walter-benjamin-aura-of-photography_5878f484b6d87f7d618b4c7a.html
    Walter Benjamin and the Aura of Photography u00181 “through the photographic lens,” I aim to uncover a more intricate relationship between aura and photography in Benjamin’s writings, which in turn has profound implications for the role of photography in fiction.

Imaginary Encounters: Walter Benjamin and the Aura of …

    https://read.dukeupress.edu/poetics-today/article/29/1/79/20953/Imaginary-Encounters-Walter-Benjamin-and-the-Aura
    Benjamin's writings on photography thus develop an alternative concept of aura, one which transcends fixed historical or technological categories through the model of an imaginary encounter between viewer and image.

Imaginary Encounters: Walter Benjamin and the Aura of …

    https://www.researchgate.net/publication/242534905_Imaginary_Encounters_Walter_Benjamin_and_the_Aura_of_Photography
    walter benjamin believed that new forms of massproducible media, such as photography and film, had eliminated the authentic existence in a particular time and place characteristic of …

Walter Benjamin on photography and film | viz.

    https://viz.dwrl.utexas.edu/old/content/walter-benjamin-photography-and-film.html
    Because mechanically-reproduced art has no claim to authenticity by means of singularity or originality, Benjamin posits it loses some of its connection or essence. He coins the term “ aura ” to encompass that which the painting has but the photograph lacks—the aura is all the contexts a thing gathers since its inception.

Walter Benjamin Overview and Analysis | TheArtStory

    https://www.theartstory.org/influencer/benjamin-walter/
    Summary of Walter Benjamin. Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork.

Walter Benjamin's concept of "Aura" and Authenticity in …

    https://culturalstudiesnow.blogspot.com/2013/05/walter-benjamins-concept-of-aura-and.html
    For Benjamin, an aura can be possessed only the original work of art. The aura distinguished the viewer from the work and creates the necessary detachment for a true aesthetic experience. This detachment is what allows, according to Benjamin in "The Work of Art in the Age of Mechanical Reproduction", the authenticity of the artwork.

AURA, FACE, PHOTOGRAPHY

    https://warwick.ac.uk/fac/soc/philosophy/people/costello/costello_benjamin__photography.pdf
    Walter Benjamin and Art Costello 3 seeing their viewers in turn – in a new light, and puts pressure on his apparent celebration of its destruction. The paper is structured as follows. I begin by taking Douglas Crimp’s use of Benjamin’s texts as indicative of art world appropriations of Benjamin in the early eighties.

WALTER BENJAMIN’S AURA CONCEPT IN THE DISCOURSE …

    https://ephd.cz/wp-content/uploads/2017/ephd_2017_3_3/17.pdf
    can demonstrate the aura better than Van Gogh’s paintings, where to all things – as you can describe it – it [the aura] is drawn-to (mitgemalt)” 5. More consistently Walter Benjamin defines the aura in A Short History of Photography (1931) 6. Addressing a history of the art of photography, he describes the movement from the ...

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