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Kait Photography

Brisbane based photographer

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Walker Evans Photography Techniques

Interested in photography? At kaitphotography.com.au you will find all the information about Walker Evans Photography Techniques and much more about photography.


Masters of Photography: Walker Evans

    http://masters-of-photography.com/E/evans/evans_articles1.html#:~:text=Much%20of%20Evans%27%20work%20from%20the%20FSA%20period,America%27s%20poor%20and%20workers%20during%20the%20Great%20Depression.
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Walker Evans Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/evans-walker/
    The spare background and close cropping (favorite techniques of Evans) compel us to focus on details of dress, pose, and expression like the tilt of a hat, or direction of the gaze. The presence of dramatic natural light, and the low angle at which he positions the camera elevates the subject - literally and figuratively.

Walker Evans – Uncovering the Life and Art of Photographer …

    https://artincontext.org/walker-evans/
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17 Lessons Walker Evans Has Taught Me About Street Photography

    https://erickimphotography.com/blog/2013/09/05/17-lessons-walker-evans-has-taught-me-about-street-photography/
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On Photography: Walker Evans, 1903-1975 - Photofocus

    https://photofocus.com/inspiration/on-photography-walker-evans-1903-1975/
    Evans used a 35mm Contax camera to make the images. He strapped the camera to his chest with the lens barley showing between two of …

Walker Evans | Artnet

    https://artnet.com/artists/walker-evans/
    Walker Evans was a renowned American photographer known for his black-and-white images documenting the impact of the Great Depression. As an artist, Evans disliked the formal photography like that of Alfred Stieglitz. Instead, he aimed to capture the quotidian beauty and diaristic events of daily life. “I used to try to figure out precisely what I was seeing all the time, …

Masters of Photography: Walker Evans

    http://masters-of-photography.com/E/evans/evans_articles1.html
    Much of Evans' work from the FSA period uses the large-format 8x10in view camera, which camera, when used from directly in front of a subject, can create the appearance of a dispassionate viewpoint. Evans and other FSA photographers used this technique, and others, to emphasize the plight of America's poor and workers during the Great Depression.

How Walker Evans Changed the Way We See America

    https://www.artsy.net/article/artsy-editorial-walker-evans-changed-way-america
    Back in the 1930s, before the mundane details of daily life were standard art fare, before popular culture became Pop, Walker Evans turned his lens on everyday stuff that most other photographers of his era chose to ignore. “I lean toward the enchantment, the visual power, of the esthetically rejected subject,” he told an interviewer in 1974, a year before his death.

Remembering Walker Evans - Surplus Camera Gear

    https://www.surpluscameragear.com/surplus-camera-blog/remembering-american-photographer-walker-evans/
    American Photographer, Walker Evans: 3 November 1903 – 10 April 1975. Walker Evans was an American photographer and photojournalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. Much of Evans’s work from the FSA period uses the large-format, 8x10-inch camera. He said that his goal as a …

Walker Evans - Truth in Photography

    https://www.truthinphotography.org/walker-evans.html
    Walker Evans, 1937. Photograph by Edwin Locke. “In the 1900’s, sending and saving picture postcards was a prevalent and often deadly boring fad in a million middle-class family homes. Yet the plethora of cards printed in that period now forms a solid bank from which to draw some of the most charming and, on occasion, the most horrid ...

Masters of Photography: Walker Evans

    http://www.masters-of-photography.com/E/evans/evans_articles3.html
    It has been suggested that Walker Evans (or Eugene Atget, or photography in general) was the father of those tendencies which flourished in painting around 1960 under the label of Pop Art. It would in fact be difficult to imagine either the aspect or the substance of this art coming into existence without its photographic precedents.

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