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a documentary style - rethinking documentary photography
- https://documentaryfoto.posthaven.com/a-documentary-style#:~:text=As%20a%20%27documentary%20style%27%20photographer%2C%20Walker%20Evans%20created,to%20be%20a%20document%20when%20it%20is%20not.
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Walker Evans Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/evans-walker/
- Walker Evans American Photographer, Writer, and Photojournalist Born: November 3, 1903 - St. Louis, Missouri, USA Died: April 10, 1975 - New Haven, Connecticut, USA Movements and Styles: Modern Photography , Straight Photography , Photojournalism , Documentary …
Walker Evans | Artnet
- https://artnet.com/artists/walker-evans/
- (American, 1903–1975) Walker Evans was a renowned American photographer known for his black-and-white images documenting the impact of the Great Depression. As an artist, Evans disliked the formal photography like that of Alfred Stieglitz. Instead, he aimed to capture the quotidian beauty and diaristic events of daily life.
Walker Evans – Uncovering the Life and Art of Photographer …
- https://artincontext.org/walker-evans/
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Walker Evans | American photographer | Britannica
- https://www.britannica.com/biography/Walker-Evans
- Evans’s unswerving commitment to a direct and unsentimental style, free of dramatic vantage points and romantic glints and shadows, was a commitment to an art that concealed its art. On the level of style, his work might have been mistaken for that of a skilled if literal-minded commercial photographer.
Walker Evans, Hero of the Vernacular Style - Aperture
- https://aperture.org/editorial/walker-evans-hero-vernacular/
- Chéroux: The fact that Evans was recognized as a photographer using the documentary style is a historical phenomenon. When Evans became more recognized in the 1980s and ’90s, especially in Europe, he became the hero of the documentary style. Most of the photographers were working in this style—the whole Düsseldorf school, the Bechers, Ruff, …
Walker Evans | MoMA
- https://www.moma.org/artists/1777
- 363 works online Walker Evans Untitled 1928 Walker Evans Couple at Coney Island, New York 1928 Walker Evans Roadside Gas Sign 1929 Walker Evans 42nd Street 1929 Walker Evans Workmen Sitting on Sidewalk 1929 Walker Evans Brooklyn Bridge, New York 1929 Walker Evans Stamped Tin Relic 1929 Walker Evans Moving Truck and Bureau Mirror 1929 Walker Evans
On Photography: Walker Evans, 1903-1975 - Photofocus
- https://photofocus.com/inspiration/on-photography-walker-evans-1903-1975/
- He used both black and white and color film to photograph everything from railroad signage to company logos to old summer resorts. He made photographs through the windows of trains he rode across the country. His self assigned essays were his métier. “Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop.
Walker Evans: The Story Behind America’s Most Famous …
- https://theculturetrip.com/north-america/usa/missouri/articles/walker-evans-the-story-behind-america-s-most-famous-photograph/
- It is interesting, then, that this has become seen as the beginning of what Evans himself calls ‘the documentary style’, a style that virtually creates the concept of photojournalism and eventually allows Evans to become the editor of Fortune and to be indebted into the International Photography Hall of Fame in 1984.
Walker Evans - Truth in Photography
- https://www.truthinphotography.org/walker-evans.html
- Walker Evans - Truth in Photography WALKER EVANS Walker Evans was an American photographer and photojournalist best known for his work documenting the effects of the Great Depression for the Farm Security Administration. Evans was fascinated with photo postcards, and began collecting them at the age of ten.
17 Lessons Walker Evans Has Taught Me About Street …
- https://erickimphotography.com/blog/2013/09/05/17-lessons-walker-evans-has-taught-me-about-street-photography/
- WALKER EVANS: I think I was photographing against the style of the time, against salon photography, against beauty photography, against art photography. PAUL CUMMINGS: The whole elaborate business – WALKER EVANS: Yes. Even including Stieglitz. I was doing non-artistic and non- commercial work. I felt – and it’s true – I was on the right track.
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