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Vida Yovanovich
- http://vidayovanovich.com/
- Vida Yovanovich. ESP; ENG «Vida Yovanovich no es una fotógrafa que toma su trabajo a la ligera. Sus proyectos van más allá de un producto para exponer o publicar: son compromisos vitales, experiencias que cambian la vida del retratado y de quien retrata.
» SHORT BIO
- http://vidayovanovich.com/en/semblanza/
- An important characteristic in the work of Vida Yovanovich is the manner in which she is able to integrate photography and installation. This is accomplished very effectively in her exhibitions: “Up front” (1997); “Spent time” (1998); “Resonant solitudes” (2004); “Abyss of absence” (2005); “27 years, 8 months, 14 days” (2008 ...
Vida Yovanovich’s Photography / Olivier Debroise
- http://vidayovanovich.com/wp-content/uploads/2016/06/Debroiseeng.pdf
- Vida Yovanovich is a discreet photographer who publishes and shows her work only rarely, but she always seems to take her time, perhaps because time is precisely the underlying theme of her work. And because of this, she is able to achieve a rare intensity. She is probably one of the few photographers who truly have something
Vida Yovanovich: Photography as Memory / José María …
- http://vidayovanovich.com/wp-content/uploads/2016/06/Texto-Espinasa-ing.pdf
- Vida Yovanovich uses her camera to become part of a reflective memory, the thinking about violence and the remembrance that art reformulates: memory is thus, an exercise not in mimesis but in transformation. Her visit to Mauthausen, known as the Spanish camp, is evidence of her ability to think with the lens, of how photography opens the
» Textos - Vida Yovanovich
- https://vidayovanovich.com/textos/
- José María Espinasa Vida Yovanovich: la fotografía como memoria. José Luis Barrios Los exilios de Antígona (Extravío y encierro: la fotografía de VY) Angélica Abelleyra Fotografiar para acorralar la vida. Elena Poniatowska La fotógrafa Vida Yovanovich.
27 Years, 8 Months, 14 Days. A Dialogue between ... - Vida …
- http://www.vidayovanovich.com/pdfi/27yearslg.pdf
- Vida Yovanovich’s photographic work might indeed be understood as an extended social documentation project. Over the years, the photographer has focused on the experiences of different groups of women—teenage mothers, senior citizens at nursing homes, prisoners—subjected to some form or other of social exclusion. In
Corralling Life Abelleyra - vidayovanovich.com
- http://vidayovanovich.com/wp-content/uploads/2016/03/corrallinglife_abelleyra.pdf
- Corralling Life through Photography / Angélica Abelleyra Vida Yovanovich depicts time and the deterioration it causes. Her photographs express both a radical melancholy and the conviction that “we must assume our doubts and fears.” Angélica Abelleyra reminds us of the photograph of the abandoned train station and the words of Juan
La fotografía de Vida Yovanovich
- http://vidayovanovich.com/pdf/debroisefotografia.pdf
- Vida Yovanovich es una fotógrafa discreta, que publica y expone muy poco, y parece tomarse su tiempo, quizás porque el tiempo es, justamente, el tema subyacente de sus obras, pero gracias a ello, alcanza una rara intensidad. Ella es, probablemente, una de las pocas fotógrafas que tiene realmente algo qué decir y ...
Yovanovich, Vida [WorldCat Identities]
- https://www.worldcat.org/identities/lccn-n98076944/
- Most widely held works about Vida Yovanovich Cárcel de los sueños by Vida Yovanovich ( Book ... Each DVD is devoted to a different Mexican photographer and contains video of an interview with that photographer, biographical text, and slide shows of that photographer's work ...
La Paz Archives - Robert W. Madden Photography
- https://bobmadden.com/tag/la-paz/
- Two photo essays stood out for me: One by Vida Yovanovich, a Cuban who fled to Mexico during the revolution of 1956, and another by Jose Hernandez-Claire. Yovanovich’s images were small black and whites that featured everyday items well-used by their owners — a pair of shoes, a sink with a taped light socket over it, a stool, etc.
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