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Looking at Photographs | Semantic Scholar
- https://www.semanticscholar.org/paper/Looking-at-Photographs-Burgin/6a7c844f6f240716a21cd32c09a470253ae9ec37
- The daily instrumentality of photography is clear enough, to sell, inform, record, delight. Clear, but only to the point at which photographic representations lose themselves in the ordinary world they help to construct. Recent theory follows photography beyond where it has effaced its operations in the ‘nothing-to-explain’.
Looking at Photographs: By Victor Burgin - Elly
- https://ellyg29.tumblr.com/post/76364488461/looking-at-photographs-by-victor-burgin
- Looking at Photographs: By Victor Burgin. Summary: He talks about how photography doesn’t get as much recognition as it should. People just think it is a voluntary act rather than an art. It takes time to take a good photograph yet more people focus on film or paintings. They get more criticism.
Looking at Photographs | SpringerLink
- https://link.springer.com/chapter/10.1007/978-1-349-16716-6_7
- The daily instrumentality of photography is clear enough, to sell, inform, record, delight. Clear, but only to the point at which photographic representations lose themselves in the ordinary world they help to construct. Recent theory follows photography beyond where it has effaced its operations in the ‘nothing-to-explain’.
Victor Burgin born 1941 | Tate
- https://www.tate.org.uk/art/artists/victor-burgin-834
- Victor Burgin (born 1941) is a British artist and writer. Burgin first came to attention as a conceptual artist in the late 1960s (Harrison & Wood, 1992; …
My Take on Burgin’s ‘Looking at Photographs’ | My Take …
- https://www.mediafactory.org.au/harriet-read/2016/04/01/138/
- From this week’s reading, Looking at Photographs by Victor Burgin, I got out two major ideas concerning the relationship between people and photography. Firstly, there was a clear emphasis on the significance of subject and subjectivity. There is a lot of distinguishing between the ‘other’ and the ‘self,’ between the subjects being represented and the viewing subject.
Looking at Photographs in 'Thinking Photography' Ed - WILL …
- https://willtemple.com/teaching/culture_seminar_07/files/BurginArticle_01.doc
- Looking at Photographs in Thinking Photography. Ed. Victor Burgin By Victor Burgin. Keywords: power . discourse . photography . meaning. subject. psychology. semiotics. Hidden beneath its aesthetic veneer, photography wields more power than history gives it credit. It’s often viewed as purely formal, yet Burgin asserts that photography is a ...
Victor Burgin | Framed (from the series "US77") | The …
- https://www.metmuseum.org/art/collection/search/294340
- In 1977, Burgin—a British painter turned Conceptual artist whose influential writings on photography combined Marxism, semiotics, and feminist theory—set out across the United States by car, armed with a 35mm camera to make his own still “road movie” of the kind that he knew and admired by Robert Frank, if only he could believe in the potential for pure, unmediated self …
Burgin Looking At Photographs Summary - kresowianie.org.pl
- http://kresowianie.org.pl/uncategorized/burgin-looking-at-photographs-summary
- Burgin Looking Photographs Summary At. It is one of the best-known and most popular works of English-language fiction, about Alice, a young girl who dreams that she follows a white rabbit down a rabbit hole Brian Burgin reached on a fielder's choice, RBI; Marquis Kidd out at second 3b to 2b; Jake Magness scored. ... Victor Burgin By Victor ...
Looking at Photographs - stunik.com
- http://www.stunik.com/vu/DFAP/LookingAtPhotographs.pdf
- Looking at Photographs - stunik.com
Victor Burgin - Artforum International
- https://www.artforum.com/print/198002/victor-burgin-54308
- I am not suggesting that such an interior monologue similarly accompanies our looking at photographs, nor do I wish to claim that in the process of looking at a photograph we mentally translate the image in terms of a redundant verbal description. ... See Victor Burgin, ‘Looking at Photographs’, Tracks, New York, Fall 1977. 18. Gary ...
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