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Unary Photograph Barthes

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Quote by Roland Barthes: “The unary Photograph has …

    https://www.goodreads.com/quotes/182181-the-unary-photograph-has-every-reason-to-be-banal-unity
    of composition being the first rule of vulgar (and notably, of academic) rhetoric: 'The subject,' says one handbook for amateur photographers, 'must be simple, free of useless accessories; this is called the Search for Unity.”. ― Roland Barthes, Camera Lucida: Reflections on Photography. tags: 41 , photography , vulgarity. Read more quotes ...

The unary Photograph has every reason to be... | Roland Barthes

    https://theysaidso.com/quote/roland-barthes-the-unary-photograph-has-every-reason-to-be-banal-unity-of-compos
    Roland Barthes. The unary Photograph has every reason to be banal, 'unity' of composition being the first rule of vulgar (and notably, of academic) rhetoric: 'The subject,' says one handbook for amateur photographers, 'must be simple, free of useless accessories; this is …

Quote by Roland Barthes: “Another unary photograph is …

    https://www.goodreads.com/quotes/470968-another-unary-photograph-is-the-pornographic-photograph-i-am-not
    Roland Barthes — ‘Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has b...

Roland Barthes: Camera Lucida - Art History Unstuffed

    https://arthistoryunstuffed.com/roland-barthes-camera-lucida/
    The studium is also the “unary” in photography, such as, Barthes said, the average news photograph or pornography, which is undisturbed by the “detail” that is the punctum.

Picturing Roland Barthes’ Unseen Photograph

    https://cphmag.com/barthes-unseen/
    Some time in 2017, I was contacted by Odette England concerning what she called the Winter Garden Photograph Project. The project was …

Barthes' Studium and Punctum - Nouspique

    https://nouspique.com/barthes-studium-and-punctum/
    News photographs are very often unary (the unary photograph is not necessarily tranquil). In these images, no punctum: a certain shock — the literal can traumatize — but no disturbance; the photograph can “shout,” not wound. What is punctum? According to Barthes, punctum is the quality which breaks (or punctuates the studium.

Camera Lucida / Roland Barthes - detailed summary and …

    https://culturalstudiesnow.blogspot.com/2021/07/camera-lucida-roland-barthes-detailed.html
    Barthes calls this type of photography "a unary photograph ". Photography and death In Camera Lucida, Barthes wonders a lot about the relationship between photography and death. The photograph captures a moment when the person photographed is neither subject nor object. She feels herself becoming an object, she lives "a micro-experience of death".

Barthes' Camera Lucida, annotation by Kasia Houlihan

    http://csmt.uchicago.edu/annotations/barthescamera.htm
    in order to distinguish what exactly sets photography apart from all other forms of representation, barthes begins by noting a symptom of its ‘disorder’ (that which renders it ‘unclassifiable’ according to already-established standards): ‘the photograph mechanically repeats what could never be repeated existentially’ (4); its essence is the …

Camera Lucida: Reflections on Photography / Barthes, Roland ; …

    https://aspace.lib.uiowa.edu/repositories/5/archival_objects/878892
    Barthes distinguishes erotica from pornographic photographs as follows. "The Photograph is unary when it emphatically transforms "reality" without doubling it, without making it vacillate (emphasis is a power of cohesion) : no duality, no indirection, no disturbance.

Roland Barthes, Camera Lucida: a Study Guide …

    https://blogs.gre.ac.uk/andrewking/2013/03/07/roland-barthes-camera-lucida-a-study-guide-1/
    In about 1898 Atget began his photographic career; within a decade he had produced some of his most impressive documentary series on Parisian life—tradespeople, architecture, shop windows, parks, cafés, and markets. He’s most famous for his pictures of empty Paris streets. Rue St. Rustique by Atget, March 1922 20

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