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Diane Arbus: A Different Perspective - Photogpedia
- https://photogpedia.com/diane-arbus/#:~:text=Arbus%20was%20associated%20with%20several%20other%20contemporary%20photographers,who%20she%20first%20met%20whilst%20studying%20under%20Brodovitch.
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Diane Arbus Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/arbus-diane/
- Despite never being affiliated with feminism herself, Arbus's female perspective influenced the photography of Cindy Sherman, whose ability to explore and deconstruct female stereotypes and identity is the product of the profound, albeit unintentional, inroads Arbus made for female perception in the 1960s and 70s. The continued mythologizing of Arbus has brought her into …
The Woman Who Influenced Diane Arbus’s Eye - WSJ
- https://www.wsj.com/articles/the-woman-who-influenced-diane-arbuss-eye-1464187560
- Early in the course, on a field trip, Lisette saw that Diane, very pale, would lift the camera to her eye and then lower it. She was following Lisette’s …
Influence - Diane Arbus: A SNAPSHOT OF THE 1960S
- https://dianenarbus.weebly.com/influence.html
- Her [Diane's] influence can be seen in the work of photographers from Sylvia Plachy to Robert Mapplethorpe to Rineke Dijkstra. Like other artists such as Ana Mendieta, Sylvia Plath, and Francesca Woodman, her narrative carries with it an often gendered quality of martyrdom and neurosis, which can distort her work’s clarity of intent.
Diane Arbus - Jewish Women's Archive
- https://jwa.org/encyclopedia/article/arbus-diane
- Over the next ten years, the Allan and Diane Arbus Studio became very successful, with Diane conceiving the style of the shoot and Allan handling the technical side. Allan, for his part, always encouraged Diane to take her own pictures and pursue her own creativity.
Diane Arbus: A Different Perspective - Photogpedia
- https://photogpedia.com/diane-arbus/
- Once the two were married, Diane started taking her photography more seriously and enrolled in classes with the photographer, Berenice Abbot. Commercial Photography In 1946, after the war, the Arbuses started a commercial photography business, with Allan working as the photographer and Diane as art director.
Reexamining Photographer Diane Arbus | Art & Object
- https://www.artandobject.com/articles/reexamining-photographer-diane-arbus
- She received her first camera in 1941, as a gift from her husband, Allan Arbus. After a brief technical course with Berenice Abbott, she shared with Allan what she’d learned. On the basis of magazine-style photographs Allan took of Diane, they launched their collaboration as fashion photographers.
Legacy and Inspiration to Others | Diane Arbus: Capturing …
- https://eportfolios.macaulay.cuny.edu/dianearbusphotography/legacy-and-inspiration-to-others-2/
- Diane Arbus’ work did not die with the end of the 60s, nor did it die with her suicide in 1971. ... Needless to say, Diane Arbus has had and continues to have a very large influence on the public, both consciously and subconsciously. Between the documentaries, films, books, and cultural references, Diane Arbus has left a tremendous impact on ...
Diane Arbus: Revolutionary Photographer of Unusual People
- https://learningenglish.voanews.com/a/a-23-2006-02-05-voa1-83128487/125663.html
- It was Mister Arbus who gave Diane her first camera. Diane soon decided to take a class with the famous photographer Berenice Abbott. The Arbuses eventually started taking photographs of clothing.
10 Women Photographers | Widewalls
- https://www.widewalls.ch/magazine/10-women-photographers/diane-arbus
- Born in Italy, she moved to the US, and later, with photographer Edward Weston, to Mexico, where her political involvement reached its peak and influenced her art a great deal. From the reciprocal professional and romantic relationship she had with Edward Weston, came Tina Modotti’s aesthetic sense and her special approach to portraiture and still life.
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