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The Subject Of Cindy Sherman Photographs Is

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Cindy Sherman | Contemporary Art

    https://sites.psu.edu/mbeltzpassionblog/2014/09/26/cindy-sherman/#:~:text=Sherman%E2%80%99s%20main%20subject%20is%20herself%3B%20she%20creates%20complex,hairstylist%2C%20makeup%20artist%2C%20wardrobe%20director%2C%20author%2C%20and%20model.
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Cindy Sherman Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/sherman-cindy/
    Summary of Cindy Sherman. Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the " Pictures Generation ," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery. At first painting in a super …

Cindy Sherman | Artnet

    https://artnet.com/artists/cindy-sherman/
    Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (1977–1980) being particularly important. These black-and-white photographs feature the artist herself as a model in various costumes …

6 Themes Photographer Cindy Sherman Explores With …

    https://mymodernmet.com/cindy-sherman/
    Sherman uses herself as her primary model, but her images are not considered standard self-portraits. Each carefully considered photo is a representation of a character, theme, or situation. This means that Sherman not only poses as the subject of her images, but she also assumes the role of makeup artist, stylist, art director, and, of course, photographer.

Cindy Sherman: Photographs. Masterpieces of …

    https://medium.com/counterarts/cindy-sherman-photographs-d891f62cb446
    Cindy’s greatest and most distinctive creation is the ‘idea of herself’, not just as sole photographic subject, but as the ‘only woman left on …

Life and Art of Cindy Sherman, Feminist Photographer

    https://www.thoughtco.com/cindy-sherman-biography-4174868
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What Was The Purpose Of Cindy Sherman’s Photography?

    https://campinghiking.net/photography/what-was-the-purpose-of-cindy-shermans-photography/
    A color photograph of artist Cindy Sherman, a white woman, posed as Marilyn Monroe. Cindy Sherman, Untitled, 1982. Chromogenic color print, 15 1/2 x 9 (27) … Her photographs are portraits of herself in various scenarios that parody are portraits of Sherman in the role of such screen idols as Sophia Loren and Marilyn (28) … 10.

On Photography: Cindy Sherman, 1954-present

    https://photofocus.com/inspiration/on-photography-cindy-sherman-1954-present/
    Cindy Sherman is not only a photographer she is her own subject in her entire body of work. She does not take “selfies.” Rather she becomes different characters that she creates by being the wardrobe mistress, prop stylist, hairdresser, makeup artist, the subject in front of the lens and finally, as the photographer behind it.

How Cindy Sherman’s Artworks Challenge the …

    https://www.thecollector.com/cindy-sherman-iconic-representation-of-women/
    The American artist Cindy Sherman was born in 1954. Her work usually features photographs that depict herself dressed and made up as different female characters. Sherman’s photos are often interpreted as feminist art since her works raise questions regarding the objectification of women by the male gaze and the construction of the female gender.

Cindy Sherman | Contemporary Art

    https://sites.psu.edu/mbeltzpassionblog/2014/09/26/cindy-sherman/
    Sherman’s main subject is herself; she creates complex narratives through series of self-portraits, often portraying herself as different characters. One thing that I especially admire about Sherman is that she truly does it all.

Photography Flashcards | Quizlet

    https://quizlet.com/393682167/photography-flash-cards/
    What was the purpose of Cindy Sherman's photography? a. to show the woman outside the home. b. to show the glamorous side of the working woman. c. to portray the various roles and identities of herself and other modern women. d. to glamorize the housewife of the era.

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