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The Stereoscope And Photographic Depiction In The 19th Century

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The Stereoscope and Photographic - JSTOR Home

    https://www.jstor.org/stable/3106413
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The Stereoscope and Photographic Depiction in the 19th …

    https://www.semanticscholar.org/paper/The-Stereoscope-and-Photographic-Depiction-in-the-Silverman/914464e9016c65c887613b4ffa1d4f0b2ecbc26a
    tion of the role of the interocular discrepancy for binocular space perception. Prior to his researches, several individuals had observed an essential component of Wheatstone's innovation: in binocular vision, the two eyes receive slightly different images.2 Kepler and Descartes had surmised that the muscular sensations arising from the convergence of the eyes in binocular …

The Stereoscope and Photographic Depiction in the …

    https://www.cse.psu.edu/~rtc12/CSE597E/papers/stereoHistorical.pdf
    The Stereoscope and Photographic Depiction in the 19th Century Robert J. Silverman Technology and Culture, Vol. 34, No. 4, Special Issue: Biomedical and Behavioral Technology.

Stereographic Photography - ThoughtCo

    https://www.thoughtco.com/stereographs-and-stereoscopes-1773924
    Stereographs were a very popular form of photography in the 19th century. Using a special camera, photographers would take two nearly identical images which, when printed side by side, would appear as a three dimensional image when viewed through a set of special lenses called a stereoscope.

The 19th Century Craze for Stereoscopic Photography

    https://www.gresham.ac.uk/watch-now/19th-century-craze-stereoscopic-photography
    Stereoscopic photography rapidly became a worldwide craze after the Great Exhibition of 1851. Cheap viewers and mass-produced stereographs brought startlingly vivid images within reach of a mass audience, making this the form in which most people first encountered photography – a fact largely ignored in conventional photographic history.

Development of stereoscopic photography - Britannica

    https://www.britannica.com/technology/photography/Development-of-stereoscopic-photography
    Development of stereoscopic photography. Stereoscopic photographic views ( stereographs) were immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849.

Stereoscope - Wikipedia

    https://en.wikipedia.org/wiki/Stereoscope
    A Holmes stereoscope, the most popular form of 19th century stereoscope. In 1861 Oliver Wendell Holmes created and deliberately did not patent a handheld, streamlined, much more economical viewer than had been available before. The stereoscope, which dates from the 1850s, consisted of two prismatic lenses and a wooden stand to hold the stereo ...

Stereoscopy - Wikipedia

    https://en.wikipedia.org/wiki/Stereoscopy
    Some of the earliest stereoscope views, issued in the 1850s, were on glass. In the early 20th century, 45x107 mm and 6x13 cm glass slides were common formats for amateur stereo photography, especially in Europe. In later years, several film-based formats were in use.

Swiss History – The stereoscope boom - Nationalmuseum

    https://blog.nationalmuseum.ch/en/2021/07/tourism-stereoscopic-images/
    3D in the 19th century. Stereoscopics, the three-dimensional depiction of two-dimensional images, captivated viewers across the globe in the 19th century. And the phenomenon helped to cement Switzerland’s status as a highly desirable tourist destination. Andrej Abplanalp. Historian and communications chief of the Swiss National Museum.

Stereotypes through the Stereoscope: About this Source

    https://iopn.library.illinois.edu/scalar/stereotypes-through-the-stereoscope/about-this-source
    Silverman, The Stereoscope and Photographic Depiction in the 19th Century, 747.↵; Silverman, 750.↵; Gleason, 231.↵; Bak, Democracy and Discipline, 150.↵; Gleason, 54.↵; Lemons, Black Stereotypes as Reflected in Popular Culture, 104.↵; Sheehan, Study in Black and White, 259.↵; Brook Baldwin as cited in Sheehan, 254.↵

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