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THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE - De Gruyter
- https://www.degruyter.com/document/doi/10.1525/9780520931251-004/html#:~:text=Published%20by%20University%20of%20California%20Press%202004%20THE,book%20What%20Is%20Cinema%3F%20Volume%20I%20Andr%C3%A9%20Bazin
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The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- A photograph is of a specific moment in time and a specific place, while art can be of any moment in any place which is why Bazin argues that a painting is more eternal than a photograph. Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a ...
(PDF) The Ontology of the Photographic Image | 煜琨 许
- https://www.academia.edu/39187285/The_Ontology_of_the_Photographic_Image
- The Ontology of the Photographic Image André Bazin; Hugh Gray Film Quarterly, Vol. 13, No. 4. (Summer, 1960), pp. 4-9. Stable URL: http://links.jstor.org/sici?sici=0015-1386%28196022%2913%3A4%3C4%3ATOOTPI%3E2.0.CO%3B2-0 Film Quarterly is currently published by University of California Press.
The Ontology of Photography: From Analogue To Digital
- https://philosophynow.org/issues/95/The_Ontology_of_Photography_From_Analogue_To_Digital
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(PDF) The Ontology of the Photographic Image | Celia Rico
- https://www.academia.edu/75548072/The_Ontology_of_the_Photographic_Image
- The Ontology of the Photographic Image. Film Quarterly, 1960. Celia Rico. Download Download PDF. Full PDF Package Download Full PDF Package. This Paper. A short summary of this paper. 35 Full PDFs related to this paper. Read Paper. Download Download PDF. Download Full …
THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE - De Gruyter
- https://www.degruyter.com/document/doi/10.1525/9780520931251-004/html
- THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE was published in What Is Cinema? Volume I on page 9.
The Ontology of the Photographic Image - Semantic Scholar
- https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2
- The Ontology of the Photographic Image. @article {Bazin1960TheOO, title= {The Ontology of the Photographic Image}, author= {André Bazin and Hugh Gray}, journal= {Film Quarterly}, year= {1960}, volume= {13}, pages= {4-9} } A. Bazin, H. Gray. Published 1 July 1960. Art.
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- It encourages an acceptance of existence of the object in time and space. Photography transfers reality from the object to its reproduced form. Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life ...
The Ontology of the Photographic Image - Semantic Scholar
- https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2/video/0162b17a
- The Ontology of the Photographic Image @article{Bazin1960TheOO, title={The Ontology of the Photographic Image}, author={André Bazin and Hugh Gray}, journal={Film Quarterly}, year={1960}, volume={13}, pages={4-9} } A. Bazin, H. Gray; Published 1960; Art; Film Quarterly
Summary Of Andre Bazin's The Ontology Of The Photographic Image
- https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
- In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238). He elaborates that at the heart of the plastic arts, such as …
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