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The Ontology Of The Photographic Image Analysis | ipl.org
- https://www.ipl.org/essay/The-Ontology-Of-The-Photographic-Image-Analysis-P362ZQK6CED6#:~:text=The%20Ontology%20of%20the%20Photographic%20Image%20Andr%C3%A9%20Bazin,existence%20of%20the%20photographic%20image%20through%20his%20essay.
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The Ontology Of The Photographic Image Analysis | ipl.org
- https://www.ipl.org/essay/The-Ontology-Of-The-Photographic-Image-Analysis-P362ZQK6CED6
- André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human …
The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
The Ontology Of The Photographic Image Analysis - 384 …
- https://www.studymode.com/essays/The-Ontology-Of-The-Photographic-Image-Analysis-86012252.html
- After reading the article “The Ontology of the Photographic Image” by Andre Bazin, it opens the discussion of the origin of painting and sculpting, whether it was started by an ancient Egypt religion or something else. The first two paragraphs of the article explains the ancient Egypt religion of preserving their dead by covering them in cloth in order to keep up …
“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- A photograph is of a specific moment in time and a specific place, while art can be of any moment in any place which is why Bazin argues that a painting is more eternal than a photograph. Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact.
(PDF) The Ontology of the Photographic Image | 煜琨 许
- https://www.academia.edu/39187285/The_Ontology_of_the_Photographic_Image
- The Ontology of the Photographic Image ... I f the plastic arts were put under psycho- depending on the continued existence of the analysis, the practice of embalming the dead corporeal body. Thus, by providing a defense might turn out to be a fundamental factor in against the passage of time it satisfied a basic their creation. The process ...
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life, freed from destiny – it embalms time. “The aesthetic qualities of photography are to be sought in its power to lay bare the realities.
The Ontology of Photography: From Analogue To Digital
- https://philosophynow.org/issues/95/The_Ontology_of_Photography_From_Analogue_To_Digital
- In 1945 Bazin wrote an essay entitled ‘The Ontology of the Photographic Image’ (English translation available in What is Cinema?, Vol 1, 1967). ‘Ontology’ is that branch of philosophy concerned with the study of being, and of the different kinds of being that entities might have, so to discuss the ontological status of photography is to consider what particular kind of thing a …
Summary Of Andre Bazin's The Ontology Of The …
- https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
- In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238). He elaborates that at the heart of the plastic arts, such as …
The Ontology of the Photographic Image - Semantic Scholar
- https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2
- The Passion of the Digital: the Ontology of the Photographic Image in the Age of New Media. A. Basu. Art. 2014. Using Mel Gibson’s 2004 film and cultural phenomenon The Passion of the Christ as a launching pad, this essay meditates on some questions about the twentieth century legacy of competing realisms, the…. 7.
THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE - De …
- https://www.degruyter.com/document/doi/10.1525/9780520931251-004/html
- THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE was published in What Is Cinema? Volume I on page 9.
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