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The Ontology Of A Photographic Image

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The Ontology of the Photographic Image - JSTOR

    https://www.jstor.org/stable/1210183
    The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.

“Ontology of the Photographic Image” by André Bazin

    https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
    Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of the plastic arts and then leads us into his article on the ...

(PDF) The Ontology of the Photographic Image | Celia …

    https://www.academia.edu/75548072/The_Ontology_of_the_Photographic_Image
    The Ontology of the Photographic Image

(PDF) The Ontology of the Photographic Image | 煜琨 许

    https://www.academia.edu/39187285/The_Ontology_of_the_Photographic_Image
    The Ontology of the Photographic Image ... The with which my eyes have covered it, are able to photographic image is the object itself, the present it in all its virginal purity to my atten- object freed from the conditions of time and tion and consequently to my …

The Ontology of the Photographic Image by Andre Bazin

    https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
    It encourages an acceptance of existence of the object in time and space. Photography transfers reality from the object to its reproduced form. Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life ...

[PDF] The Ontology of the Photographic Image | Semantic …

    https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2
    The Ontology of the Photographic Image. Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand. The first volume centers on the theme of ...

The Ontology Of The Photographic Image Analysis | ipl.org

    https://www.ipl.org/essay/The-Ontology-Of-The-Photographic-Image-Analysis-P362ZQK6CED6
    The Ontology of the Photographic Image. André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay.

THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE - De …

    https://www.degruyter.com/document/doi/10.1525/9780520931251-004/html
    THE ONTOLOGY OF THE PHOTOGRAPHIC IMAGE was published in What Is Cinema? Volume I on page 9.

The Ontology of Photography: From Analogue To Digital

    https://philosophynow.org/issues/95/The_Ontology_of_Photography_From_Analogue_To_Digital
    This is why Bazin uses the word ‘ontology’ in the title of his article: in photography, an aspect of the being of the objects is transferred to the image. By way of analogy, Bazin refers to the Turin Shroud. A diminishing number of people believe this to be the actual sheet in which the body of Christ was laid in the tomb, and that the ...

Summary Of Andre Bazin's The Ontology Of The …

    https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
    In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238). He elaborates ...

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