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New Topographics: Photographs of a Man-Altered …
- https://www.sfmoma.org/exhibition/new-topographics/
- A turning point in the history of photography, the 1975 exhibition New Topographics signaled a radical shift away from traditional depictions of landscape. Pictures of transcendent natural vistas gave way to unromanticized views of stark industrial landscapes, suburban sprawl, and everyday scenes not usually given a second glance. This restaging of the …
New Topographics: Photographs of a Man-Altered …
- https://www.lacma.org/art/exhibition/new-topographics-photographs-man-altered-landscape
- New Topographics: Photographs of a Man-Altered Landscape A restaging of the landmark exhibition first seen in 1975 at the International Museum of Photography, George Eastman House. "New Topographics" signaled the emergence of a new photographic approach to landscape: romanticization gave way to cooler appraisal, focused on the everyday built …
New Topographics: Photographs of a Man-Altered …
- https://www.x-traonline.org/article/new-topographics-photographs-of-a-man-altered-landscape/
- New Topographics: Photographs of a Man-Altered Landscape. More than a few viewers commented on the diminutive scale of the New Topographics re-run at LACMA this past fall. Sidestepping the finer points of what got left out, added in, rearranged, or wholly changed (all of which have been taken up in detail elsewhere), this perception of lack has ...
New Topographics – Smarthistory
- https://smarthistory.org/new-topographics/
- [1] The New Topographics photographers were Robert Adams, Bernd and Hilla Becher, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel Jr. [2] Tape-recorded interviews conducted by Bess Abel, a photography student of Joe Deal, on December 13 and 14, 1975.
New (and Old) Topographics - Places Journal
- https://placesjournal.org/article/new-and-old-topographics/
- Interest in the 1975 exhibition New Topographics: Photographs of a Man-altered Landscape has grown significantly in the past decade, culminating in its 2009 restaging at its original venue, the George Eastman House, and in an exhibition that is traveling through 2012. Its latest venue is the Center for Creative Photography in Tucson, Arizona.
SFMOMA TO PRESENT NEW TOPOGRAPHICS: …
- https://www.sfmoma.org/press-release/sfmoma-to-present-new-topographics-photographs-of/
- The San Francisco Museum of Modern Art (SFMOMA) is pleased to present New Topographics: Photographs of a Man-Altered Landscape, on view from July 17 to October 3, 2010. Comprised of close to 150 photographs, it is a restaging of a historically significant exhibition held in 1975 at the George Eastman House in Rochester, New York.
New Topographics - Steidl Verlag
- https://steidl.de/Books/New-Topographics-0537384042.html
- This book is dedicated to the exhibition New Topographics: Photographs of a Man-Altered Landscape, held in 1975 at the International Museum of Photography, and demonstrates both the historical significance of the show and its continued relevance in today’s culture. The exhibition brought together Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Henry Wessel.
New Topographic Photography - The Bigger Picture
- https://thebigpicture.photos/new-topographic-photography/
- The movement culminated in an exhibition in the USA in 1975 –“New Topographics: Photographs of a Man-Altered Landscape in which eight young American photographers: Robert Adams, Lewis Baltz, Joe Deal, Frank Gohike, Nichcolas Nizon, John Schott, Stephen Shore and Henry Wessel. exhibited together with Bernd and Hilla Becher. Each photographer in the New Topographics …
Scott Jolliff | Contemporary Photography - New Topographics
- https://scottjolliff.com/new-topographics
- New Topographics "New Topographics: Photographs of a Man-Altered Landscape" was an exhibition at the International Museum of Photography, George Eastman House (Rochester, New York) 1975. New Topographics ushered in a new movement and style to landscape photography focusing primarily on finding form and beauty in everyday man-made banality.
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