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Session 5: Care and Handling of Photographs — NEDCC
- https://www.nedcc.org/preservation101/session-5/5-glass-supports#:~:text=Session%205%3A%20Care%20and%20Handling%20of%20Photographs%20glass,detailed%20positive%20print%2C%20and%20soon%20replaced%20paper%20negatives.
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PDF The History And Conservation Of Glass Supported …
- https://www.ebookmakes.com/pdf/the-history-and-conservation-of-glass-supported-photographs/
- Although the medium of photography is barely 150 years old, its relatively brief history has witnessed the birth of a wide range of photographic processes, each of which poses unique conservation challenges. Photographs of the Past: Processes and Preservation provides a comprehensive introduction to the practice of photograph preservation ...
Conservation of Photographs on Glass Symposium and …
- https://www.iiconservation.org/node/7512
- The two day workshop will provide training to conservators of photographs (10 max). The workshop will cover the deterioration and conservation of glass supported photographs, including reassembly of broken glass components and the current best …
Session 5: Care and Handling of Photographs — NEDCC
- https://www.nedcc.org/preservation101/session-5/5-glass-supports
- In the mid-19th century, photographic negatives and transparencies (positive images) began to use glass as a support. Glass provided a sharper negative and a more detailed positive print, and soon replaced paper negatives. Like …
A brief guide to photographs on glass - National Science …
- https://blog.scienceandmediamuseum.org.uk/a-brief-guide-to-photographs-on-glass/
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whitman research poster - photographconservation.com
- http://photographconservation.com/graphics/research/whitman%20research%20poster.pdf
- The History and Conservation of Glass Supported Photographs Katharine Whitman The 40 foot telescope at Slough, 1839 Sir John Frederick William Herschel National Media Museum, Bradford, England Glass Manufacture The manufacture of glass as it relates to photography is being explored, by way of collating a
Katharine Whitman - Research in Photograph Conservation
- http://photographconservation.com/pages/research.html
- Katharine's current research is on the history and conservation of glass supported photographs. She's traveled to Mexico, England, France and Belgium to conduct this research and to gather information and samples.
Conservation and restoration of photographs - Wikipedia
- https://en.wikipedia.org/wiki/Conservation_and_restoration_of_photographs
- The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and …
Advanced Residency Program in Photograph …
- https://www.eastman.org/advanced-residency-program-photograph-conservation-capstone-research-projects
- The History and Conservation of Glass Supported Photographs 2007 Fifth Cycle 2007-2009 Caroline Barcella The Conservation Project of the Manila Daguerreotypes 2009 Valentina Branchini The Photographs of Alvin Langdon Coburn at George Eastman House: A Characterization Study of Materials and Techniques 2009 Mirasol Estrada
PMG Preservation of Glass in Photographic Materials - Wiki
- https://www.conservation-wiki.com/wiki/PMG_Preservation_of_Glass_in_Photographic_Materials
- A slight increase in RH will lead to the deterioration of the silver, binder, varnish and glass support, and a slight decrease on RH can lead to flaking of binder, and dehydration of the glass. Connie McCabe recommends 30-40% RH. Below 30% RH and the binder will desiccate and above 40% RH the glass will start hydrating.
Topics in Photographic Preservation, Volume 12
- https://resources.culturalheritage.org/pmgtopics/2007-volume-twelve/12_25_whitman.pdf
- History and Conservation of Glass Supported Photographs, as a Mellon Fellow of the Advanced Residency Program in Photograph Conservation at the George Eastman House International Museum of Photography and Film in Rochester, New York. The object of this case study was an 8 x 10 inch gelatine glass plate negative, titled
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