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Getting Started with Photo Theory: Szarkowski, Sontag, …
- https://www.bhphotovideo.com/explora/photography/features/getting-started-with-photo-theory-szarkowski-sontag-and-barthes
- Greenberg was concerned with painting; Szarkowski was responsible for extending this attitude to photography. Writing in The …
Szarkowski - The Photographer's Eye - WPMU DEV
- https://cpb-us-e1.wpmucdn.com/blogs.cornell.edu/dist/1/6206/files/2015/09/Szarkowski-The-Photographers-Eye-1z0fzej.pdf
- photography's potentials grew. If this is true, it should be possible to consider the history of the medium in terms of photographers' progressive awareness of characteristics and problems that have seemed inherent in the medium. Five such issues are considered below. These issues do not define discrete categories of work; on the contrary they
John Szarkowski, the great hidden influence on …
- https://slate.com/news-and-politics/2007/07/john-szarkowski-the-great-hidden-influence-on-photography.html
- In recent years, anyway, Susan Sontag was photography’s most famous critic, and Sam Wagstaff was the greatest collector, but Szarkowski …
John Szarkowski: Photographer, Teacher, Curator, Legend
- http://www.focusphotomag.com/curatorinterviews/johnszarkowski/
- For more than three decades John Szarkowski was the director of photography at the Museum of Modern Art in New York City. In 1961, he abandoned a successful photographic career that included several solo exhibits, two books, The Face of Minnesota and The Idea of Louis Sullivan, and two Guggenheim fellowships, to become arguably the most influential …
John Szarkowski | Artnet
- https://www.artnet.com/artists/john-szarkowski/
- John Szarkowski was an American photographer and curator best known for his role as the director of the Museum of Modern Art’s Photography Department from 1962 through 1991. “Photography is the easiest thing in the world if one is willing to accept pictures that are flaccid, limp, bland, banal, indiscriminately informative, and pointless,” he once explained.
John Szarkowski: The Photographer’s Eye - Ashley Rose …
- https://chasingthewildlife.blog/2019/01/17/john-szarkowski-the-photographers-eye/
- Szarkowski ends his introduction with the following: “The history of photography has been less a journey than a growth. Its movement has not been linear and consecutive, but centrifugal. Photography and our understanding of it, has spread from the center; it has, by infusion, penetrated our consciousness. Like and organism, photography was ...
SZARKOWSKI`S HISTORY OF PHOTOGRAPHY WORTH …
- https://www.chicagotribune.com/news/ct-xpm-1990-08-17-9003090153-story.html
- In such books as ''The Photographer`s Eye'' (1966) and ''Looking at Photographs'' (1973), Szarkowski`s incisive writing elegantly solved aesthetic and technical problems of photography-as-art that ...
John Szarkowski - PhotoPedagogy
- https://www.photopedagogy.com/john-szarkowski.html
- John Szarkowski: Introduction toWilliam Eggleston's Guide, 1976. ... If this is true, it does not mean that the pictures are not also simultaneously about photography, for the two issues are not supplementary but coextensive. Whatever else a photograph may be about, it is inevitably about photography, the container and the vehicle of all its ...
John Szarkowski | American photographer and curator
- https://www.britannica.com/biography/John-Szarkowski
- John Szarkowski, in full Thaddeus John Szarkowski, (born December 18, 1925, Ashland, Wisconsin, U.S.—died July 7, 2007, Pittsfield, Massachusetts), American photographer and curator who served as the visionary director of photography at the Museum of Modern Art (MoMA) in New York City from 1962 through 1991 and demonstrated that photography is an …
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