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'Photography and the New God' by Paul Strand — Broom: …
- https://bluemountain.princeton.edu/bluemtn/?a=d&d=bmtnaap192211-01.2.8
- PHOTOGRAPHY AND THE NEW GOD. Paul Strand. Man having created the concept of God The Creator, found himself unsatisfied. For despite the proven pragmatic value of this image, through which the fine arts of music and literature, of architecture, painting, and sculpture, together with the less fine arts of murder, thievery and general human exploitation, had been carried to great …
"Photography and the New God" Essay by Paul Strand
- https://academic.tips/question/what-is-paul-strands-main-argument-in-his-essay-photography-and-the-new-god/
- In his essay, “Photography and the New God,” Paul Strand develops an argument that photography should be “straight” in order to be considered as art. According to Strand, a photographer should use this new art medium in order to objectively represent reality with reference to its true details. Thus, photography has certain advantages in comparison to other …
Paul Strand Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/strand-paul/
- Writing around the same time, Strand published an article entitled 'Photography and the New God' in which he summed-up the 'Straight' philosophy as follows: …
Straight Photograph in Strand's "Photography & The New God"
- https://academic.tips/question/in-his-essay-photography-and-the-new-god-what-does-paul-strand-mean-by-a-straight-photograph/
- In his essay “Photography and The New God,” what does Paul Strand mean by a “straight photograph?”. The idea of a “straight photograph” is actively discussed in the essay. Strand notes that “photography is only a new road from a different direction but moving toward the common goal, which is Life.”.
blog.r4d1n: Reading Paul Strand’s New God
- https://blog.r4d1n.net/posts/2014/reading-paul-strands-new-god/
- Paul Strand, in an essay entitled “Photography and the New God,” draws a parallel between the historical roles of artists and scientists in Western civilization. He sees them as similar, as they are each involved in the pursuit of different kinds of knowledge: empirical or intellectual knowledge on the part of the scientist, and intuitive knowledge on the part of the …
Paul Strand Photography - 469 Words | Cram
- https://www.cram.com/essay/Paul-Strand-Photography/FCSUKYGPUT
- The article, “Photography and Photography and the New God” was written by an American photography named Paul Strand. He began photography under the watchful eye of Lewis Hine in 1907. Hine introduced Strand to the work of the Photo-Secession. In 1911, he became an independent photographer and broke with the Impressionist style of Secession. Through his …
Photography and God
- https://www.researchgate.net/publication/276159283_Photography_and_God
- This essay takes as its starting point Paul Strand's call to synthesize a 'new religious impulse' to counter the theotechnical drive that was the main concern of his …
Masters of Photography: Paul Strand
- http://masters-of-photography.com/S/strand/strand_articles2.html
- In these works, acknowledged as seminal in the evolution of the New Objectivity, form and feeling are indivisible and intense. In addition, Strand's writings, beginning in 1917 with "Photography and the New God," set forth the necessity for the photographer to evolve an aesthetic based on the objective nature of reality and on the intrinsic capabilities of the large-format camera with …
Paul Strand’s Lifetime of Photography, at Philadelphia …
- https://www.nytimes.com/2014/10/24/arts/paul-strands-lifetime-of-photography-at-philadelphia-museum.html
- The pairing neatly expresses Strand’s emotional and intuitive relationship to an art form associated with all things mechanical; in his 1922 essay “Photography and the New God ,” he wrote about...
230 PAUL STRAND ideas | photography, alfred stieglitz
- https://www.pinterest.com/grmel/paul-strand/
- PAUL STRAND. "Photography and the New God," set forth the necessity for the photographer to evolve an aesthetic based on the objective nature of reality and on the intrinsic…. Along with Edward Weston and Alfred Stieglitz, Paul Strand was one of the defining masters of early American modernist photography.
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