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The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
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Straight Photography Movement Overview | TheArtStory
- https://www.theartstory.org/movement/straight-photography/
- Straight photography emphasizes and engages with the camera's own technical capability to produce images sharp in focus and rich in detail. The term generally refers to photographs that are not manipulated, either in the taking of the image or by darkroom or digital processes, but sharply depict the scene or subject as the camera sees it.
Pictorialism and Straight Photography: A Look at Alfred Stieglitz's …
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/pictorialism-and-straight-photography-a-look-at-alfred-stieglitzs-the-steerage-citation-6
- This aspect of Pictorial photography differed from Straight Photography as Straight Photography had the philosophy of staying true to the image. In Alfred Stieglitz’s Winter on Fifth Avenue (1893), Stieglitz stood on Fifth Avenue in a snowstorm for three hours waiting for the perfect shot. The results show that the main focus of the ...
The Rise of Straight Photography: Alfred Stieglitz
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/dylan-lavigne-assignment-3
- Alfred Stielgitz was developing a new vision for creating art through photography by creating a photo that blended creativity of form and message about the world. Stieglitz described this new form of work as Straight Photography, and noted that his new work was “intensely direct… Not a trace of hand work on either negative or prints.
What is Straight Photography? What is Considered Straight?
- https://www.imaginated.com/photography/photography-glossary/what-is-straight-photography/
- Stieglitz’s commitment to straight photography was reflected in a number of main artistic decisions, including his inability to crop negatives as he had done in the past, his preference for contact printing over enlarging negatives, and his preference for the relative sharpness of platinum, palladium, or gelatin silver prints. Alfred Stieglitz
Alfred Stieglitz - The Art and Works of Photographer Alfred Stieglitz
- https://artincontext.org/alfred-stieglitz/
- Despite studying to potentially become a mechanical engineer, in 1882 Stieglitz bought his very first camera and began photographing panoramas of the rural countryside in Germany. In order to satisfy his newfound passion for photography, the self-taught artist trained, investigated, and thought about the medium.
Straight Photography And Abstraction - Landscape Photography …
- https://landscapephotographyblogger.com/straight-photography-and-abstraction/
- The realism-only interpretation of straight photography is narrow and defeats the original purpose as envisioned by straight photography’s pioneers such as Alfred Stieglitz, Paul Strand and Edward Weston. The objective of the photography of Paul Strand for example was not to appear “real” or to depict “reality.”
What is Straight Photography | An Essay | VISHY MOGHAN
- https://vishymoghan.com/archives/straight-photography-essay/
- The notion of “Straight” photography is an odd one to the uninitiated. I attempt a short essay on the subject. ... Alfred Stieglitz (18654-1946) Reflections Night NY-1896. Heinrich Kühn 1911. Jas. E. Wales, Nymphs, 1916, United States. Edward Steichen, 1904. …
Straight Photography - Important Photos | TheArtStory
- https://www.theartstory.org/movement/straight-photography/artworks/
- Working as a darkroom assistant for the photographer Man Ray in Paris in the 1920s, Abbott turned seriously to photography when she was inspired by the work of Eugène Atget. She became a tireless promoter of his work. Known for her rigorous standards and straight approach, many of her images, like this one, required meticulous planning.
The Alfred Stieglitz Collection | Paul Strand
- https://archive.artic.edu/stieglitz/paul-strand/
- Paul Strand became known for practicing what was referred to as straight photography, made “without tricks of process or manipulation.” [1] After first visiting the Little Galleries of the Photo-Secession at the age of seventeen, he eventually befriended Stieglitz and showed him his early, Pictorialist-inspired work.
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