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When a 19th-Century ‘Spirit Photographer’ Claimed to ... - HISTORY
- https://www.history.com/news/spirit-photography-civil-war-william-mumler#:~:text=When%20spirit%20photography%20appeared%20in%20the%201860s%2C%20the,connection%20to%20the%20souls%20of%20their%20dearly%20departed.
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‘Where are the dead?’ Spiritualism, photography and the …
- https://www.researchgate.net/publication/273294440_'Where_are_the_dead'_Spiritualism_photography_and_the_Great_War
- Spiritualism, photography and the Great War | It is, of course, too simple to assert that the Great War caused a crisis in visual representation: urbanization, the industrialization of time ...
Spiritualist photographs in 19th century - OBVIOUS
- http://obviousmag.org/en/archives/2011/12/spiritualist_photographs_in_19th_century.html
- Spiritualist photographs in 19th century. published on photography by marisa figueiredo. When, at the second half of 19th century, photography was accessible to great part of the audience at the great metropolis, alive and dead people ran …
Spiritualism in the Great War - History & Lore of the Old World War
- https://oldworldwar.com/2011/01/25/578/
- Spiritualism in the Great War Here begins a series of accounts from the war which fall under the heading of “spiritualism”, the general belief in the supernatural and the survival of the dead. I am by no means advocating a particular interpretation of this phenomena, but intend only to collect wartime-era accounts of paranormal incidents and reproduce them here, for the …
When a 19th-Century ‘Spirit Photographer’ Claimed to
- https://www.history.com/news/spirit-photography-civil-war-william-mumler
- When spirit photography appeared in the 1860s, the United States was reeling from the Civil War, which claimed an astonishing 620,000 lives. …
The Spiritual Gifts of Photography | Photography Feature
- https://www.spiritualityandpractice.com/arts/photography-features/view/27926/the-spiritual-gifts-of-photography
- Photography draws out our compassion as it conveys the horrors of war, ethnic hatred, and endless cycles of violence. "The strength of photography lies in its ability to evoke a sense of humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war and if it is used well, it can be a powerful ingredient in the antidote to war."
Photography in the Great War - Bloomsbury
- https://www.bloomsbury.com/us/photography-in-the-great-war-9781350122048/
- This book draws on a rich set of materials to examine postwar experiences of ex-servicemen who were facially-disfigured during the First World War. Weaving toge…
Photography and War - The Atlantic
- https://www.theatlantic.com/magazine/archive/2012/02/photography-and-war/308835/
- The war stripped away illusions. This scourging was accelerated by a flourishing new medium: photography. Photography complemented—and competed with—old discursive methods of verbal description by...
‘The Great War: A Photographic Narrative’ - The New York …
- https://www.nytimes.com/2013/12/08/books/review/the-great-war-a-photographic-narrative.html
- It opens with a photograph of a quick-firing 13-pounder gun that remained in action for the entire duration of the war. At 9:30 a.m. on Aug. 22, 1914, it …
22 Famous War Photographers From History And Today
- https://photographycourse.net/famous-war-photographers/
- Mathew Brady (1822-1896) Mathew Brady, one of the most famous photographers of the 19th century, was one of the first photographers to bring the realities of war to the public. When the American Civil War began, Brady was able to capture images through his mobile studio and darkroom. He employed at least 17 other photographers to head out to ...
Photography and the Civil War - American Battlefield Trust
- https://www.battlefields.org/learn/articles/photography-and-civil-war
- Photography during the Civil War, especially for those who ventured out to the battlefields with their cameras, was a difficult and time consuming process. Photographers had to carry all of their heavy equipment, including their darkroom, by wagon. They also had to be prepared to process cumbersome light-sensitive images in cramped wagons.
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