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Ambiguity – Ming Thein | Photographer
- https://blog.mingthein.com/2015/11/11/ambiguity/
- The relative spatial relationship between elements of the subject will remain the same – if the real object has a line at 2/3rds of its height, then there will be a line at 2/3rds of its height in the image*. This is clearly not the same as an interpretative representation like a painting, where that line may be drawn 1/2 way up, or 3/4s of the way up, or not even exist – and the subject may still be recognisable because it is not a necessary defining characteristic.
The Effect of Spatial Ambiguity on Creative Thinking
- https://theccd.org/article/106/the-effect-of-spatial-ambiguity-on-creative-thinking/
- Spatial Ambiguity. For our purposes, we define spatial ambiguity as the presence of multiple, equally valid, and diverse affordances or possibilities for engagements within a space. We define spatial ambiguity by way of James Gibson’s theory of affordances, which states that environmental perception involves the awareness of affordances, or ...
How Spatial Ambiguity Promotes Creativity-Blog-Senses …
- https://www.sensesandspaces.com/blog//how-spatial-ambiguity-promotes-creativity
- Measures of Spatial Ambiguity and its Effects on Creativity Creativity requires the use of imagination or original ideas, and is a natural tendency of every individual to express oneself to varying degrees. Relatively, ambiguity reflects …
(PDF) On the Spatial Ambiguity Function - ResearchGate
- https://www.researchgate.net/publication/260194318_On_the_Spatial_Ambiguity_Function
- The ambiguity function of a spatial signal in the "signal spatial frequency displacement vs antenna linear displacement" coordinates is considered in …
(PDF) The Spatial Ambiguity Function and Its Applications
- https://www.researchgate.net/publication/3342553_The_Spatial_Ambiguity_Function_and_Its_Applications
- Abstract and Figures. This letter introduces the spatial ambiguity functions (SAFs) and discusses their applications to direction finding and source …
Stuart Franklin • On Ambiguity • Magnum Photos
- https://www.magnumphotos.com/theory-and-practice/stuart-franklin-ambiguity/
- Ambiguity in photography begins with confusion over who or what is the photographer, the picture-maker. “I’m a photographer,” I might say. Actually, it’s the camera that is taking the picture, and processing the image data. I am guiding the lens to face the subject, putting the subject at ease, making some adjustments, steadying the ...
The Ambiguity of a Photograph, Part 2: Photographic …
- https://blog.phillipscollection.org/2016/08/08/ambiguity-photograph-part-2-photographic-abstraction/
- The advent of photography and the emergence of modernism and then abstract expressionism helped shift the art world away from exact reproduction of the physical world. Compared with Mark Rothko ’s untitled 1968 abstract expressionist painting (above right), the flourish of black in Siskind’s work appears almost like a brush stroke while ...
Ambiguities and conventions in the perception of visual art
- https://www.sciencedirect.com/science/article/pii/S0042698908003039
- Because the painter does not know exactly where the observer will stand and where she will look, there is an ambiguity on the spatial frequencies of the painting that will actually be seen by the observer. In natural scenes, all spatial frequencies are available with a distribution that is independent of the observer’s position.
Spatial Ambiguity: An Interview with Carol Miller Frost - BmoreArt
- https://bmoreart.com/2022/02/spatial-ambiguity-an-interview-with-carol-miller-frost.html
- Spatial Ambiguity: An Interview with Carol Miller Frost. Frost's paintings and drawings, on view at C. Grimaldis Gallery, contain a playful pressure and classical beauty. February 16, 2022. Words: Karen Fish. The experience of viewing Light Engagement, Carol Miller Frost’s solo show at C. Grimaldis Gallery, is anything but what its title implies.
Ambiguity In Art – How It Can Benefit Your Own Work
- https://www.howtopastel.com/2019/03/ambiguity-in-art/
- To get away from the idea of trees and thinking about the potential of ambiguity in art, I reintroduced the red, brightening up the greyed red below and covering much of the green. I also decided I needed to do something with the large flat area behind the figures. I added pinks and yellows to the blue. I worked on the figures a bit, tweaking ...
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