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Sekula Photography Between Labour And Capital

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Allan Sekula – ‘Reading an Archive: Photography between labour …

    https://neil513702.photography/allan-sekula-reading-an-archive-photography-between-labour-and-capital-1999/
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MINING PHOTOGRAPHS AND OTHER PICTURES 1948-1968

    https://monoskop.org/images/b/bf/Sekula_Alan_1983_Photography_Between_Labour_and_Capital.pdf
    Photography Between Labour and Capital By Allan Sekula I Introduction: Reading an Archive Every image of the past that is not recognized by the present as one of its own threatens to disappear irretrievably. Walter Benjamin 1 The invention of photography. For whom? against whom? jean-Luc Godard and jean-Pierre Gorin2

Photography Between Labour and Capital Essay, Essay Writing …

    https://essayzoo.org/essay/apa/literature-and-language/photography-between-labour-and-capital.php
    History of photo 1: Allan Sekula- Reading archive: photography between labour and capital. Name. Course. Instructor. Date. Alan Sekula in Reading archive seeks to show the relationship between photographic culture and economic life. Sekula (1999) begins by mentioning a photographic archive of a mining town in Cape Breton spanning 20 years for ...

Photography Between Labour and Capital

    https://www.yourdissertation.co.uk/samples/photography-between-labour-and-capital/
    Allan Sekula- Reading Archive: Photography Between Labour and Capital. ... History of photo 1: Allan Sekula- Reading archive: photography between labour and capital Name Course Instructor Date Alan Sekula in Reading archive seeks to show the relationship between photographic culture and economic life. Sekula (1999) begins by mentioning a ...

Allan Sekula's "Reading an Archive: Photography between Labour …

    https://christiannagess.blogspot.com/2017/10/allan-sekulas-reading-archive.html
    Allan Sekula's "Reading an Archive: Photography between Labour and Capital" Response Sekula refers to Shedden's photographic archives as a commercial archives. "One characteristic of photography is that authorship of individual images and the control and ownership of archives do not commonly reside in the same individual".

The Mirror Of Circulation: Allan Sekula And The Logistical Image

    https://www.societyandspace.org/articles/the-mirror-of-circulation-allan-sekula-and-the-logistical-image
    Sekula’s capacity to think together the political economy and division of labor internal to photographic practice, on the one hand, and the historical modalities of the representation of labor and political economy, on the other, allows him to forge an exacting critique of a whole host of naturalizations of capital’s logics of abstraction and exploitation, …

Sekula – Reading an Archive | Body of Work & Contextual Studies

    https://neil513702.photography/sekula-reading-an-archive/
    Photography 3 – Contextual Studies Part One: Visual Culture in Practice Research Task Reading an Archive: Photography between Labour and Capital (1999) by Allan Sekula A response to this essay (key points) can also be found here as it formed part of …

White-Collar Blues: Allan Sekula Casts an Eye Over the …

    https://nonsite.org/white-collar-blues-allan-sekula-casts-an-eye-over-the-professional-managerial-class/
    Aerospace Folktales, “Photography Between Labour and Capital,” and Sekula’s related studies of photographic ideology are rich and over-determined works. Multiple threads are woven in these projects, but it is important to observe that one of the determinations in play is the debate on the PMC and its implications for socialist organising—what might constitute the …

Grey Room | Editors' Introduction: Allan Sekula and the …

    http://greyroom.org/issues/55/11/editors-introduction-allan-sekula-and-the-traffic-in-photographs/
    Along with Photography against the Grain, two other key essays by Sekula also appeared in the mid-1980s: Allan Sekula, “Photography between Labor and Capital,” in Mining Photographs and Other Pictures 1948–1968, ed. Benjamin H.D. Buchloh and Robert Wilkie (Halifax: Nova Scotia College of Art and Design, 1983), 193–268; and Allan Sekula, “The Body and the Archive,” …

Practising photography: an archive, a study, some

    https://www.sciencedirect.com/science/article/pii/S0305748800902470
    Sekula, Reading an archive, 154, Sekula here is relying on what is an over-simple distinction between a more authentic, previous use of the photographs and a less authentic reuse in the archive. However, his point that there is a change in use when a photograph enters an archive is nevertheless important.

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