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Sefton Samuels - NEW Homepage of Manchester …
- https://www.seftonphoto.co.uk/
- Sefton Samuels is one of Britain’s most iconic photographers. His career spans more than four decades – with nearly a hundred images held in the National Portrait Gallery and Victoria & Albert Museum. Sefton has had solo exhibitions at the Barbican Centre, Kings Place and Proud Gallery in central London – and is a Royal Academy of Arts ...
Sefton Samuels - About Sefton
- https://www.seftonphoto.co.uk/about-sefton/
- ABOUT SEFTON. Sefton Samuels is one of Britain’s most iconic photographers, but the path there has weaved via the old mills of Yorkshire and seedy jazz clubs around the North West of England. Sefton was born in Manchester in 1931. He left Manchester Grammar School at 16, trained in textiles and went to work in mills around Yorkshire.
When Football was Football: The photography of Sefton …
- https://www.nationalfootballmuseum.com/whatson/sefton-samuels/
- The innocent, gritty and revealing face of football from the 1960s to 1980s before gentrification hit - a long-ball world of Bovril and pies with not a prawn sandwich in sight. A slice of social history, Sefton Samuels’ photographs capture the much bigger story of the post-industrial decline, north/south divide and working class alienation.
Sefton Samuels - Person - National Portrait Gallery - NPG
- https://www.npg.org.uk/collections/search/person/mp59744/sefton-samuels
- Sefton Samuels. (1931-), Photographer. Artist of 71 portraits. Sefton Samuels is one of Manchester's leading photographers, with a career spanning more than four decades. Before turning to photography he worked in mills across the North West and as a professional jazz drummer. For five years he was the main photographer in the North West for ...
When Football was Football: The iconic photos of Sefton Samuels
- https://museumcrush.org/when-football-was-football-the-iconic-photos-of-sefton-samuels/
- When Football Was Football: The Photography of Sefton Samuels is at The national Football Museum, Manchester from September 24 – December 31 2021. venue. National Football Museum. Manchester, Greater Manchester. The National Football Museum in Manchester is the world’s biggest and best football museum. An essential part of any visit to …
Sefton Samuels shoots and scores some of the best …
- https://www.theneweuropean.co.uk/sefton-samuels-new-exhibition-of-football-photographs/
- It’s this that’s captured in an exhibition at the National Football Museum in Manchester, When Football was Football -– the Photography of Sefton Samuels 1960-1980s. Celebrated photographer Samuels conjures up a world of grimy stadiums buttressed by rusty stanchions with wooden seats under tin-can roofs.
When Football Was Football: Photography by Sefton …
- https://www.artfund.org/whats-on/exhibitions/2021/09/24/when-football-was-football-photography-by-sefton-samuels-1960s-1980s
- Photographer Sefton Samuels' images of players, managers and fans from the 1960s-1980s. Featuring George Best, Bill Shankly, Brian Clough. Explore the innocent, gritty and revealing face of football from the 1960s-80s before gentrification hit – a long-ball world of Bovril and pies with not a prawn sandwich in sight.
Sefton Samuels’ Story: - Sam's Chop House Manchester
- https://www.samschophouse.com/post/sefton-samuels-story
- How an amateur photojournalist captured the defining images of L.S. Lowry in 1968 By Sefton Samuels, FRPS Sefton Samuels (left), Roger Ward (centre), Peter Hodgkinson (right). I always loved Lowry’s paintings. My personal connection with his work began in 1947 when I enrolled in my textile course at the Salford College of Technology, which happened to be …
When Football Was Football: Photography by Sefton …
- https://www.visitmanchester.com/whats-on/when-football-was-football-photography-by-sefton-samuels-1960s-1980s-p519811
- The innocent, gritty and revealing face of football from the 1960s to 1980s before gentrification hit - a long-ball world of Bovril and pies with not a prawn sandwich in sight. A slice of social history, Sefton Samuels' photographs capture the much bigger story of the post-industrial decline, north/south divide and working class alienation.
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