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Brisbane based photographer

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Sachlichkeit Photography

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Neue Sachlichkeit and Photography | collectible DRY …

    https://collectibledry.com/fashion-and-beauty/neue-sachlichkeit-and-photography/
    NeUe SaCHLIchKEit aNd PhotOGraphy Albert Renger-Patzsch (1897–1966), who produced a huge body of work spanning four and half decades, was one of the most influential photographers of the New Objectivity …

Neue Sachlichkeit Photography • XIBT Contemporary Art Magazine

    https://www.xibtmagazine.com/2018/01/neue-sachlichkeit-photography/
    Neue Sachlichkeit Photography Neue Sachlichkeit, namely the New Objectivity, was an artistic movement that arose in Germany during the Weimar Republic (1918-1934) which characterized German painting and architecture as well as producing exciting and innovative results in photography.

Neue Sachlichkeit Paintings and Photographs | TheArtStory

    https://www.theartstory.org/movement/new-objectivity/artworks/
    Along with Albert Renger-Patzsch, August Sander was one of the most influential photographers associated with the Neue Sachlichkeit group. He did not portray the beauty of industrial objects but instead aimed to portray the reality of …

Neue Sachlichkeit (New Objectivity) Overview | TheArtStory

    https://www.theartstory.org/movement/new-objectivity/
    Neue Sachlichkeit photographers shared the painter's desire to portray the objective truth of reality, but for the most part they avoided the social and political commentary that underlies so much of the painting. Artworks and Artists of Neue Sachlichkeit (New Objectivity) Progression of Art Artwork Images 1918-19 The Night Artist: Max Beckmann

Neue Sachlichkeit and German realism of the twenties : …

    https://archive.org/details/neuesachlichkeit0000hayw
    Neue Sachlichkeit and the German realism of the twenties / Wieland Schmied -- Illustrations of the paintings and works on paper -- Photography and the Neue …

PHOTOGRAPHY • XIBT Contemporary Art Magazine

    https://www.xibtmagazine.com/category/photography/page/4/
    acclaimed as one of the most popular photographers of the contemporary scene he is renowned for his countless collaborations with established institutions of the art world like the george eastman museum in new york, the shanghai center of photography, the museu da image and the som in so paulo, the santiago museum of contemporary art, vogue, …

Neue Sachlichkeit (New Objectivity) – An Introduction – …

    https://smarthistory.org/neue-sachlichkeit-new-objectivity-introduction/
    A critical attitude. Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann. Some of the painters associated with ...

What Is New Objectivity? | Artsy

    https://www.artsy.net/article/artsy-editorial-new-objectivity-artists-exposed-decadence-hypocrisy-german-society
    In the aftermath, the freedom of form and color associated with pre-war Expressionism seemed out of touch with the pervasive post-war cynicism. In this context, many artists turned toward a new kind of realism with a biting satirical edge, a style which came to be known as Neue Sachlichkeit (New Objectivity).

Photography - New Objectivity

    https://newobjectivity.weebly.com/photography.html
    The style cynically and critically portrayed many aspects of German contemporary society in a very realistic manner. “Neue Sachlichkeit” or New Objectivity was first coined in 1923 by G.F. Hartlaub who titled an exhibition of post-expressionistic paintings, so in the beginning photography wasn’t even involved. [1]

New Objectivity - Wikipedia

    https://en.wikipedia.org/wiki/New_Objectivity
    The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism.The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit.

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