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Martha Rosler, In, Around and Afterthoughts (On …
- https://www.taylorfrancis.com/chapters/mono/10.4324/9780080468389-12/martha-rosler-around-afterthoughts-documentary-photography-ashley-la-grange
- Rosler asks why documentary photographers still want to photograph the Bowery (a skid row in New York), when it is no longer possible to justify photographing it either in terms of helping or exposing the occupants. Previous Chapter Next Chapter You …
Notes on Martha Rosler – In, Around and Afterthoughts (On …
- https://simon513313documentary.net/2020/03/02/notes-on-martha-rosler-in-around-and-afterthoughts-on-documentary-photography/
- Rosler describes how presentation of documentary photography affects how it is received. In many cases the photographer becomes an innocent intermediary, and that the any intentions of truth on the part of the photographers can be …
Documentary Photography and the Representation of Life …
- https://journals.openedition.org/ideas/5233
- Four decades separate Martha Rosler’s The Bowery in two inadequate descriptive systems (1974-1975) from Jeff Wall’s Approach (2014), two representations of life on the streets. In the 1970s, Martha Rosler, among others, sought to define and practice documentary photography in ways that would invite the viewer to reflect on the politics of representation at work in documentary art.
5. Martha Rosler, In, Around and Afterthoughts (On …
- https://www.oreilly.com/library/view/basic-critical-theory/9780240516523/14_chapter-title-5.html
- Rosler asks why documentary photographers still want to photograph the Bowery (a skid row in New York), when it is no longer possible to justify photographing it either in terms of helping or exposing the occupants. She states that documentary photography …
Rosler photo
- https://web.pdx.edu/~vcc/Seminar/Rosler_photo.pdf
- Rosler photo In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler 1. The Bowery, in New York, is an archetypal skid row. It has been much photographed, in works veering between outraged moral sensitivity and sheer slumming spectacle. Why is the Bowery so magnetic to documentarians?
Martha Rosler | The Bowery in two inadequate descriptive …
- https://whitney.org/collection/works/8304
- © 1975 Martha Rosler In her work, Martha Rosler has often employed—and deconstructed—photographic conventions in ways that examine the authenticity associated with documentary photography and the unbalanced relationship between disenfranchised communities and their visual representations.
In, around, and afterthoughts (on documentary photography) …
- https://miltblog.myblog.arts.ac.uk/2020/07/14/in-around-and-afterthoughts-on-documentary-photography-1981-martha-rosler/
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler Documentary photography has been much more comfortable in the company of moralism than wedded to a rhetoric or program of revolutionary politics.
IN AROUND AND AFTERTHOUGHTS ON …
- http://theslideprojector.com/pdffiles/ah331/inaroundafterthoughts.pdf
- This essay was originally published in Martha Rosler:3 Works(Halifax:Press of the Nova Scotia College of Art and Design, 1981). It was republished in Richard Bolton, ed., The Contest of Meaning: Critical Histories of Photography (Cambridge, Mass.:MIT Press, 1990), and in Liz Wells, ed., Photography: A Critical Reader (London:Routledge, 2000 ...
Top Essay: Martha rosler essay documentary photography …
- https://brethrenwoods.org/martha-rosler-essay-documentary-photography/
- The missing photography essay rosler martha documentary or extra words. Time bombs fabricated in the past only and but also, which is generally limited to intense, face-to-face microsocieties, but can be placed higher than others dimaggio , who established the identifcation with a new product.
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