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Rosalind Krauss Photography Surrealism

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L'Amour fou: Photography and Surrealism: Krauss, …

    https://www.amazon.com/LAmour-fou-Photography-Rosalind-Krauss/dp/0896595765
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L'Amour fou : Photography and Surrealism by Rosalind …

    https://www.lensculture.com/books/4129-l-amour-fou-photography-and-surrealism
    by Rosalind Krauss Publisher's Description Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, André Breton, Brassaï, Salvador Dalí, André Kertész, and Hans Bellmer have remained all but unknown-until now.

The Photographic Conditions of Surrealism - JSTOR …

    https://www.jstor.org/stable/778652
    ROSALIND KRAUSS I open my subject with a comparison. On the one hand, there is Man Ray's Monument to de Sade, a photograph made in 1933 for the magazine Le Surreal- isme au service de la rekvolution. On the other, there is a self-portrait by Florence Henri, given wide exposure by its appearance in the 1929 Foto-Auge, a publica-

L'amour fou: photography & Surrealism: Krauss, …

    https://www.amazon.com/Lamour-Rosalind-Livingston-essay-Krauss/dp/072870465X
    It was by far the best writing on Surrealism and Photography. Rosalind Krauss has given the most compelling and exciting essay on the role of photography and artist's thinking of mechanics of pictures, dreams and bodies in the realm of visual art. Read more. 4 people found this helpful.

Rosalind Krauss Biography, Art, and Analysis of Works

    https://www.theartstory.org/critic/krauss-rosalind/
    In adopting post-structuralist theory, Krauss revisited the work of early-20th-century artists like Duchamp and Ray, and early uses of photography, in order to stress that these artworks were not bound by a supposed universal symbolism. ARTISTIC INFLUENCES

The Photographic Conditions of Surrealism | Rosalind …

    https://www.taylorfrancis.com/chapters/edit/10.4324/9781003135630-14/photographic-conditions-surrealism-rosalind-krauss
    The Photographic Conditions of Surrealism By Rosalind Krauss Book Illuminations Edition 1st Edition First Published 1996 Imprint Routledge Pages 15 eBook ISBN 9781003135630 Share ABSTRACT In this chapter the author uses structuralist tools to analyse the importance of photography within the Surrealist project of registering ‘the marvellous’.

File:Krauss Rosalind 1985 Photography in the Service of …

    https://monoskop.org/File:Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf
    Rosalind E. Krauss; Surrealism; File:Krauss Rosalind 1986 Photography in the Service of Surrealism.pdf (file redirect) Rosalind E. Krauss; Surrealism; File:Krauss Rosalind 1986 Photography in the Service of Surrealism.pdf (file redirect) Rosalind E. Krauss; Surrealism

photography surreaJjsm - Monoskop

    https://monoskop.org/images/9/96/Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf
    Krauss, Rosalind E. L'amour fou. Issued in conjunction with an exhibition held at the Corcoran Gallery of Art, Sept.-Nov., 1985. Bibliography: p Includes index. Contents: Preface/Rosalind Krauss and Jane Livingston~Photography in the service of surrealism! Rosalind Krauss-Man Ray and surrealist photography!

Rosalind Krauss | Department of Art History & Archaeology

    https://arthistory.columbia.edu/content/rosalind-krauss
    Professor Krauss' attempts to understand the phenomenon of modernist art, in its historical, theoretical, and formal dimensions, have led her in various directions. She has, for example, been interested in the development of photography, whose history-running parallel to that of modernist painting and sculpture-makes visible certain previously ...

L'amour fou : photography & surrealism - FOLIO Library …

    https://library.bgc.bard.edu/catalog/ocm11812980
    Traditional criticism has viewed Surrealist photography as a pale imitation of authentic Surrealist work. The assumption has been that photography, a "realistic" medium, is fundamentally incompatible with a cause devoted to the wildly subjective, the world of …

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