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Photography's Discursive Spaces: Landscape/View
- https://eportfolios.macaulay.cuny.edu/lklichfall13t/files/2013/09/Krauss.pdf
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Photography's Discursive Spaces: Landscape/View.
- https://monoskop.org/images/6/6b/Krauss_Rosalind_1982_Photographys_Discursive_Spaces_Landscape_View.pdf
- arate discursive spaces, as members of two different discourses. The lithograph be- longs to the discourse of geology and, thus, of empirical science. In order for it to function within this discourse, the ordinary elements of topographical description had to be restored to the image produced by By Rosalind Krauss
Photography's Discursive Spaces: Landscape/View
- https://www.tandfonline.com/doi/abs/10.1080/00043249.1982.10792816
- The first (Fig. 1) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century landscape photography. The second (Fig. 2) is a lithographic copy of the first, produced for the publication of Clarence King's Systematic Geology in 1878.
Photography's Discursive Spaces: Landscape/View.
- http://www.imagineallthepeople.info/Krauss_PhotographysDiscursiveSpaces.pdf
- Photography's Discursive Spaces: Landscape/View commonplace, the reflections of the rocks ... By Rosalind Krauss et us start with two images, identically titled Tufa Domes, Pyramid Lake, ... in 1868 that functions with special insistence within the art histoncal construction of nineteenth-century land- scape photography. The second (Fig. 2) is ...
Rosalind Krauss - Photographys Discursive Spaces
- https://www.studymode.com/essays/Rosalind-Krauss-Photographys-Discursive-Spaces-1078150.html
- Photography's Discursive Spaces: By Rosalind Krauss L et us start with two images, identically titled Tufa Domes, Pyramid Lake, Nevada. The first (Fig. I) is a (recently) celebrated photograph made by Timothy O'Sullivan in 1868 that functions with special insistence within the art historical construction of nineteenth-century landscape photography.
Rosalind Krauss - Photographys Discursive Spaces - 9350 Words
- https://www.bartleby.com/essay/Rosalind-Krauss-Photographys-Discursive-Spaces-F3XCNYE3RYZS
- Photography's Discursive Space. 423 Words | 2 Pages. on the receiver, and their own perceptions. In Chapter Thirteen, Photography’s discursive space, contributed by Rosalind Krauss, analyzes perception of photography and the attempt to transform revelation from one perceptional context to …
Photography's Discursive Spaces: Landscape/View
- https://www.researchgate.net/publication/269494081_Photography's_Discursive_Spaces_LandscapeView
- Since the 1970s, Rosalind Krauss and others have highlighted that placing a section of space within the confines of the frame conceptually separates that landscape from the …
Rosalind Krauss | Leonard Scott Landscape
- https://leonardscottlandscape.com/tag/rosalind-krauss/
- I disagree with Krauss regarding photography as Art, from its inception Photography has been intertwined with art, both as a guide for later paintings but also allowing Artist to experiment with composition quicker and if many differing styles. Macaulay.cuny.edu. (1982). Photography’s Discursive Spaces: Landscape/View.
Part 1 Exercise 1.2 Photography in the museum or in the gallery ...
- https://leonardscottlandscape.com/2018/02/15/part-1-exercise-1-2-photography-in-the-museum-or-in-the-gallery-reflections-on-photographys-discursive-spaces-landscape-view-by-rosalind-krauss/
- Krauss points out that there is always a requirement for discourse on discursive spaces in photography, due to the need for different subject matter and where these images are presented and the differing aspects to the display of a single image in of their diverse forms, dependent on the type of display and audience.
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