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Roland Barthes
- http://rolandbarthes.org/
- My palinode is that the Form of photography manifests both life and death. The Form of photography is death, time and memory, and life. Behind these four Forms, however, there is a higher Form, the one true Form: a single essence that manifests the multiplicity of all Forms. It is named Brahman, the absolute, the ground of all being, the source that manifests everything in …
Roland Barthes: Camera Lucida - Art History Unstuffed
- https://arthistoryunstuffed.com/roland-barthes-camera-lucida/
- Camera Lucida (1980) When he wrote Camera Lucida, Roland Barthes had little time left to him. It is one of the ironies of his ironic life that his last book–an extended act of mourning–would be his last before his ironic death. For Barthes, attending the lectures of Jacques Lacan and hearing of the Oedipal struggle between the Law of the Father for the body …
DEATH IN THE PHOTOGRAPH - The New York Times
- https://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html
- CAMERA LUCIDA Reflections on Photography. By Roland Barthes. Translated by Richard Howard. Illustrated. 119 pp. New York: Hill and Wang/Farrar, Straus & Giroux. $10.95.
Roland Barthes’ Camera Lucida: Absence as Presence
- http://grantfaulkner.com/2014/08/roland-barthes-camera-lucida-absence-as-presence/
- Photographs state the innocence, the vulnerability of lives heading toward their own destruction, and this link between photography and death haunts all photographs of people.” Barthes searches through photos of his mother for what he calls “the air”: “that exorbitant thing which induces from body to soul— animula , little individual soul, good in one person, bad in …
Roland Barthes Overview and Analysis | TheArtStory
- https://www.theartstory.org/influencer/barthes-roland/
- Accomplishments . Barthes's single most significant essay was "The Death of the Author" (1967). Challenging the idea that what the author/artist said about their art was the definitive word on its meaning, he proposed rather that the individual viewer should be regarded as the author of the text and that it is she or he who brings their own - legitimate - meaning to the text (artwork).
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Since the global pandemic hit last year, many of us saw our photography derailed or even ground to a halt. As a result, we were confined to either refining our workflow, practicing editing with old photos or learning new skills instead of shooting. Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland …
4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- The punctum sneaks into the photograph; it is a surprise every time. The detail that Barthes might experience as the punctum in a photograph is different from the one that I might experience, which, in turn, is different than the one you might experience. The punctum is the most powerful, even dangerous, aspect of photography for Barthes.
Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Conclusions about Roland Barthes’ theory of the photographic paradox. In summary we can say: The photographic image is a message without a code, it’s continuous. At the same time it is a connotative message, but not at the level of the message itself, but at the level of its production and reception. The photographic image is a ...
Looking for Henriette: Roland Barthes' tantalising mystery
- https://www.theguardian.com/artanddesign/2020/apr/15/photographic-mystery-roland-barthes-mother-odette-england-keeper-of-the-hearth
- For Barthes, grief-stricken by his mother’s recent death, the snapshot by an unknown photographer somehow evokes her “unique …
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