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Richard Avedon Impact On Photography

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Richard Avedon | Photographer | Area of Design

    https://areaofdesign.com/richard-avedon/#:~:text=Avedon%E2%80%99s%20influence%20on%20photography%20was%20immense%2C%20and%20his,of%20subjects%20from%20Marilyn%20Monroe%20to%20Michael%20Moore.
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Richard Avedon Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/avedon-richard/
    Summary of Richard Avedon. In a gesture of supreme, youthful confidence, Richard Avedon did away with the standard trope of statue-like, frozen-in-time models of conventional fashion photography. Instead the exuberant young photographer who legendarily never stood still, enlivened his models and, most importantly, showed their human side, flaws and all.

On Photography: Richard Avedon, 1923-2004 - Photofocus

    https://photofocus.com/inspiration/on-photography-richard-avedon-1923-2004/
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Photography in Focus: Richard Avedon | Pace Gallery

    https://www.pacegallery.com/journal/photography-focus-richard-avedon/
    On the occasion of the late Richard Avedon’s 97th birthday, we look closely at his photograph James Kimberlin, Drifter, State Road 18, Hobbs, New Mexico (October 7, 1980), from his series In the American West.From 1978 to 1984, over the course of 5 summers and across 13 states, Avedon photographed coal miners, farmers, carnival workers, waitresses, …

Richard Avedon | American photographer | Britannica

    https://www.britannica.com/biography/Richard-Avedon
    Richard Avedon, (born May 15, 1923, New York, New York, U.S.—died October 1, 2004, San Antonio, Texas), one of the leading mid-20th-century photographers, noted for his portraits and fashion photographs. Avedon began to explore photography on his own at age 10 and was immediately drawn

The Importance of Richard Avedon

    https://www.thecut.com/2009/05/the_importance_of_richard_aved.html
    Avedon was also groundbreaking in how he viewed beauty. Avedon shot portraits of everyday people in addition to fashion models. And in these he saw no distinction. “I certainly think — I know — that the apparent line between his fashion photography and his portraits was false, that he saw it as continuous work,” Mr. Gopnik said, adding that Avedon was amused at how people …

Richard Avedon The Photographer Photography Essay

    https://www.ukessays.com/essays/film-studies/richard-avedon-the-photographer-photography-essay.php
    Although he has always been very much in command of his own style, Avedon has also always been very much a product of his temporal milieu, and his work can be seen to benefit directly from the work of several photographers who, during the decades of the 1920s and ’30s, created a style of photography that was more realistic and also somewhat grimmer, a style of photography …

Richard Avedon - Photos, American West & Career

    https://www.biography.com/artist/richard-avedon
    Avedon left Harper's Bazaar in 1965, and from 1966 to 1990 he worked as a photographer for Vogue, its chief rival among American fashion magazines. He continued to push the boundaries of fashion...

Richard Avedon | Photographer | Area of Design

    https://areaofdesign.com/richard-avedon/
    Avedon’s influence on photography was immense, and his sensuous fashion work helped create the era of supermodels such as Naomi Campbell and Cindy Crawford (news). But Avedon went in another direction with his portrait work, shooting unsparing and often unflattering shots of subjects from Marilyn Monroe to Michael Moore.

‘Richard Avedon: Photographer of Influence’ - Review

    https://www.nytimes.com/2011/06/26/nyregion/richard-avedon-photographer-of-influence-review.html
    Avedon’s virtuosity is particularly evident in photographs of couples, which attempt to unlock the nature of a relationship — or some version of it — in a single, still image. Monroe’s...

On Being Photographed by Richard Avedon | The New …

    https://www.newyorker.com/culture/photo-booth/on-being-photographed-by-richard-avedon
    When I was allowed to make faces in front of a camera, I was fine; when I was asked to “be myself” in front of a camera, I turned wooden. Avedon’s studio was on the top floor of a townhouse ...

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