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Race and Photography: Racial Photography as Scientific Evidence…
- https://citylights.com/commodity-aesthetics/race-photo-racial-photo/#:~:text=Overview%20Race%20and%20Photography%20studies%20the%20changing%20function,forms%20of%20documentation%20but%20new%20forms%20of%20perception.
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Race and Photography: Racial Photography as …
- https://press.uchicago.edu/ucp/books/book/chicago/R/bo22228704.html
- Race and Photography studies the changing function of photography from the 1870s to the 1940s within the field of the “science of race,” what many today consider the paradigm of pseudo-science. Amos Morris-Reich looks at the …
The Racial Bias Built Into Photography - The New York …
- https://www.nytimes.com/2019/04/25/lens/sarah-lewis-racial-bias-photography.html
- The Racial Bias Built Into Photography - The New York Times Advertisement lens The Racial Bias Built Into Photography Sarah Lewis …
Racial Bias in Photography – Silverman Trykowski Associates, Inc.
- http://www.sta-design.com/racial-bias-in-photography/
- Photographers and editors have to put in the extra effort to get the contrast and the lighting right when shooting darker skinned models (3). Light skin remains as the default skin tone even today. Even digital technology is built with racial biases. Motion capturing AI recognizes lighter skin more easily than darker skin.
Race and Photography: Racial Photography as Scientific Evidence, …
- https://books.google.com/books/about/Race_and_Photography.html?id=vJQpCwAAQBAJ
- Historian Amos Morris-Reich here tracks the trajectory of racial photography from 1876 through the Weimar and Nazi periods in Germany and, briefly, after WWII. With a particular focus on German and...
The Racial Bias Built Into Photography – IMDiversity
- https://imdiversity.com/diversity-news/the-racial-bias-built-into-photography/
- In the mid-1990s, Kodak created a multiracial Shirley Card with three women, one black, one white, and one Asian, and later included a Latina model, in an attempt intended to help camera operators calibrate skin tones. These were not …
Uncover racial bias in photography. - Anti-Racism Daily
- https://the-ard.com/2021/06/08/uncover-racial-bias-in-photography-anti-racism-daily/
- It’s not just the quality of photography that needs to be changed. We must also consider bias in the way that AI analyzes images. Twitter’s “saliency algorithm” has come under fire for racial bias in their preview crops of photos. Twitter automatically favors white faces in preview crops, no matter which image was posted first to the site.
Visualizing racism: Nine photographers take on the challenge of ...
- https://www.washingtonpost.com/magazine/2019/11/25/visualizing-racism-photo-essay/
- Nine photographers take on the challenge of depicting bigotry. When I was tasked with creating imagery that shows what racism looks like, what came to mind were all the troubling but increasingly ...
The Unfortunate History of Racial Bias In Photography
- https://www.slrlounge.com/unfortunate-history-racial-bias-photography/
- News & Insight The Unfortunate History of Racial Bias In Photography Shivani Reddy , 6 years ago If you developed photos anywhere between the 1940’s-1990’s chances are the accuracy of the skin tones in your image were based off “The Shirley Card”. Meet Shirley, well one of them at least, if not the original from Eastman Kodak.
Race and Photography: Racial Photography as Scientific Evidence, …
- https://citylights.com/commodity-aesthetics/race-photo-racial-photo/
- Race and Photography studies the changing function of photography from the 1870s to the 1940s within the field of the “science of race,” what many today consider the paradigm of pseudo-science. Amos Morris-Reich looks at the ways photography enabled not just new forms of documentation but new forms of perception.
Type and the Gaze: Racial Photography as Scientific Evidence, …
- https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226320915.001.0001/upso-9780226320748-chapter-002
- Chapter One reconstructs the use of racial photography as scientific evidence between 1876 and 1922. It commences with the Dammann brothers' Atlas, in which “racial type” photographs illustrate races conceived in terms of “types.”. It then proceeds to examine the works of Alphonse Bertillon, Francis Galton and Rudolf Martin who thought of photography as a form of scientific …
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