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The importance of identity, representation in photography
- https://news.asu.edu/20220211-asu-faculty-shares-importance-identity-and-representation-photography-0#:~:text=Representation%20isn%E2%80%99t%20just%20rooted%20in%20our%20social%20identity.,manifestation%20of%20an%20individual%20experiencing%20the%20indexical%20world.
- none
Photography, Vision, and Representation - JSTOR
- https://www.jstor.org/stable/1342806
- representation of a scene in such a way as to be, as much as possible, identical with the visual impression an observer would get at the actual spot from which the photograph was made. Thus, much of his argument is devoted to a discussion of the characteristics of human vision, based on
Photography, Vision and Representation – Through My Lens
- https://lenandtheowl.blog/2020/02/04/photography-vision-and-representation/
- representation of a scene in such a way as to be, as much as possible, identical with the visual impression an observer would get at the actual spot from which the photograph was made. Thus, much of his argument
Photography, Vision, and Representation | Afterimage
- https://online.ucpress.edu/afterimage/article/3/7/8/120753/Photography-Vision-and-Representation
- Close mobile search navigation. Article navigation. Volume 3, Issue 7
Snyder - Photography, Vision, And Representation [jlkq33xgezl5]
- https://idoc.pub/documents/snyder-photography-vision-and-representation-jlkq33xgezl5
- Photography, Vision, and Representation Joel Snyder and Neil Walsh Allen I Is there anything peculiarly "photographic" about photography -something which sets it apart from all other ways of making pictures? If there is, how important is it to our understanding of photographs?
Photography, Vision, and Representation | Critical Inquiry: …
- https://www.journals.uchicago.edu/doi/abs/10.1086/447832?mobileUi=0&
- Diarmuid Costello and Margaret Iversen Introduction: Photography between Art History and Philosophy Diarmuid Costello and Margaret Iversen, Critical Inquiry 38 , no.4 4 (Jul 2015) : 679–693. Nooch Kuasirikun The portrayal of gender in annual reports in Thailand, Critical Perspectives on Accounting 22 , no.1 1 (Jan 2011) : 53–78.
[PDF] Photography, Vision, and Representation | Semantic …
- https://www.semanticscholar.org/paper/Photography%2C-Vision%2C-and-Representation-Snyder-Allen/1562b6f85772cb688fa5656c6ace365812107057
- Is there anything peculiarly "photographic" about photography -something which sets it apart from all other ways of making pictures? If there is, how important is it to our understanding of photographs? Are photographs so unlike other sorts of pictures as to require unique methods of interpretation and standards of evaluation? These questions may sound artificial, made up …
Photography and Representation: What You Need To Know
- https://www.cultursmag.com/revisiting-representation-in-photography-what-you-need-to-know/
- The inclusion of diverse stories in media representation is as multifaceted as the people it celebrates. Representation in photography and other media is about whose stories are included/excluded and the reasoning behind those choices; however, the conversation isn’t meant to end there. When trying to incite meaningful change regarding diverse perspectives, it’s …
The importance of identity, representation in photography
- https://inclusion.asu.edu/content/importance-identity-representation-photography
- Our individual visions add to the collective human experience. To understand representation in photography is to understand how you are interconnected to the thing in which you photograph. It is to accept the responsibility for how you depict a particular subject.
Joel Snyder & Neil Walsh Allen, Photography, Vision, and …
- https://philpapers.org/rec/SNYPVA
- His contributions to Critical Inquiry include "Picturing Vision" and "Reflexions on Las Meninas: Paradox Lost", written with Ted Cohen in the Winter 1980 issue. Neil Walsh Allen produces educational audio-visual materials and has designed eight permanent exhibits on the history and applications of photography for the Smithsonian Institution.
Photography and the Representation of Vision
- https://www.jstor.org/stable/pdf/432288.pdf
- soning, if the advent of photography constitutes the birth of a new art, then there must be some-thing "special" or valuably distinctive about the photographic medium. If, as its British co-inven-tor thought, photography is just a new means of pursuing the ends of painting,3 then it is not a new art, but merely a new means of doing what
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