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The Philosophy of Photography - precise-moment.com
- https://precise-moment.com/2016/04/14/the-philosophy-of-photography/#:~:text=The%20philosophy%20of%20photography%20is%20an%20art%20form,way%2C%20specifically%20from%20the%20photographer%E2%80%99s%20point%20of%20view.
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The Philosophy of Photography - precise-moment.com
- https://precise-moment.com/2016/04/14/the-philosophy-of-photography/
- Photography is an art form that represents a sub-genre within philosophy. The study of why we are here, or the point of our existence is certainly a subjective thing for anybody. Art is a way to communicate between each other the beauty of life, and of others’ perspectives.
PHOTOGRAPHY IS PHILOSOPHY - ERIC KIM
- https://erickimphotography.com/blog/2017/05/07/photography-is-philosophy/
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Philosophy of Photography – Contemporary art research
- https://www.philosophyofphotography.net/
- Philosophy of Photography is a cluster of research activities that’s concerned with the role of the mechanically produced and digitally disseminated image in contemporary culture. To day, it is comprised from the international journal Philosophy of Photography ( edited by Daniel Rubinstein and Andy Fisher ), the book On the Verge of Photography (edited by Daniel Rubinstein, Johnny …
Philosophy of Photography – Philosophy of Photography
- https://www.philosophyofphotography.net/philosophy-of-photography/
- Philosophy of Photography. Philosophy of Photography is a peer reviewed international forum dedicated to inter-disciplinary engagement with contemporary photography. It publishes research from a range of critical and methodological perspectives. The journal comes out twice a year and prints scholarly articles, shorter position papers, portfolios of photoworks, book reviews and …
Photography Philosophy 101
- https://erickimphotography.com/blog/2018/07/04/photography-philosophy-101/
- Photography is philosophy. Let me expand some of my thoughts with you: First and foremost, I’ve learned that photography is one of the best art-creating techniques that exist. Photography means to ‘draw with light’ (or paint with light/write with light). Photo: Comes from Ancient Greek (“phos”) which means ‘light’.
Photography Philosophy By Michael Scott
- https://www.scottymanphoto.com/photography-philosophy/
- My photography philosophy is a set of organized thoughts I practice to help me maintain focus and achieve the best results. Therefore, before pressing the shutter release button, I try to concentrate on three objectives:
The Philosophy of Photography - Rollins College
- https://www.rollins.edu/news/philosophy-of-photography/
- The Philosophy of Photography. April 01, 2013. By Dawn Roe. Dawn Roe, photographer and assistant professor of studio art, discusses five books that expand how we think about—and understand—photography and photographs. On Photography. Susan Sontag Still a seminal text in many photography courses, Sontag's essays on photography question our ...
What Is Photography Philosophy? - CameraWorld News
- https://www.cameraworld.co.uk/news/2021/12/what-is-photography-philosophy/
- Photography philosophy cannot be summed up in a single explanation. It is one and many things, and draws on all of the points we talked about. It's the rationale behind every press of the shutter, the thoughts and feelings which photos inspire in the observer.
Issue #11: Photography and Philosophy – Nonsite.org
- https://nonsite.org/issues/issue-11-photography-and-philosophy/
- Photography is—as I hope to demonstrate—radically anti-Cartesian. It shows us that there really is a world, that it wants to be seen by us, and that it exceeds our capacity to know it. Photography also shows us that the world is structured by analogy, and helps us find our place within it….Each of us is connected through similarities that are neither of our making or our …
Analytic Philosophy of Photography - Oxford Bibliographies
- https://www.oxfordbibliographies.com/view/document/obo-9780195396577/obo-9780195396577-0405.xml
- Introduction. The literature on the analytic philosophy of photography is related to, but distinct from, the literatures on film theory and photography theory. All three revolve around the question of whether images can be importantly divided into the categories of photographic and manugraphic on the basis of their differing etiologies.
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